"I have none."

"Then what do you ask for?"

"Nothing, madame; I suffer."

It was one of the Alsatian artists, the painter with the yellow beard, who looked like one of Giotto's pupils, who continued the conversation, and all the table turned towards him.

"I am not like M. Oberlé, who asks for nothing. He has only just come into the country after a long absence. If he had lived here some time, he would come to a different conclusion. We Alsatians of the new generation through our contact with three hundred thousand Germans have had the difference of our French culture from that of Germany conclusively demonstrated. We prefer our own; that is permitted? In exchange for the loyalty that we have shown to Germany, the taxes we pay, the military service we perform—we desire to remain Alsatians. And you determinedly refuse to understand. Our demand is that we should not be compelled to submit to exceptional laws, to this sort of state of siege which we have endured for thirty years. We demand that we should not be treated and governed as a country of the Empire—after the fashion of the Cameroons, Togoland, and New Guinea, the Bismarck Archipelago, or the Isles of Providence, but like a European province of the German Empire. We shall not be satisfied until that day comes when we can feel we are in our own home here—Alsatians in Alsace, as the Bavarians are Bavarians in Bavaria. Whilst as things are, we are the conquered ones waiting on the good pleasure of a master. That is my demand!"

He spoke clearly, with apparent coldness, and his golden beard looked like the point of an arrow. His measured words succeeded in exciting their minds—and one could foresee the angry answer when Geheimrathin Brausig rose.

Her guests followed suit, and went into the blue drawing-room.

"You were absurd! What were you thinking about?" Lucienne asked in an undertone as she passed Jean.

"Perhaps what you said was imprudent," added Madame Oberlé, a moment after; "but you defended Alsace well—and I approve of you."

The Geheimrath was already turning to all sides, making use of the usual formula, which he murmured into the ears of Fincken, von Farnow, of Rosenblatt and Professor Knäpple, the two students, Jean, and the two Alsatian artists: