Formerly when he came in she would only hold out her hand to him; now she offered him her forehead to kiss, and when she could dine at table it was near her that he must sit. She flattered his tastes and his habits, talking of theatrical matters and of his favorite authors, reminding him thus of his successes and his youth, and even leading him to give some of those poetical extracts at which he was so ready and so skilled.
Sometimes, too, incidentally, without seeming to attach much importance to what she said, Lise would go back upon the past and speak of the time when her mother was one of the stock company at the Odéon, in Dumesnil's time. At the mention of these by-gone days the old actor stammered and blushed, putting a curb on himself so that he might not say too much, and turning the conversation into another channel.
These were the best, or rather the only pleasant moments of the woman who had been the Princess Olsdorf, for when neither Mme. Daubrel nor Dumesnil was there, Lise sunk into a state of complete lethargy, taking interest in nothing and not even reading. When her brother-in-law and sister-in-law came to see her—Barbe coming out of shame—they could not get her to speak, except to beg them not ever to speak of her husband, which they sometimes ventured to do, partly out of pity and also to attempt a defense of Paul. He was young, had easily been led astray, and would return to her. Then she would pardon him. Unquestionably he must be suffering, too; it was nothing but his lack of energy that hindered him returning to France.
The deserted woman only replied by long, sad looks to these consoling words, which were hypocritical on the part of Mme. Frantz. Her husband was an honorable man and severely blamed the conduct of his brother, while Mme. Meyrin, the mother, dared never speak of her son. Lise's sad looks said, better than any words could have done: "I do not believe you; and if he were ever to return it would be too late."
While the ex-Princess Olsdorf was thus gently fading away, a strange change came over her: she was again coquettish and elegant as of old. One might have supposed that, only too certain that very little time remained for her to live, she wished to avenge the privations which the jealousy and avarice of her husband had imposed upon her since the second year of their marriage. She took delight in loosening her hair, which was still wondrously beautiful; she adorned her arms and wasted shoulders with the jewelry which had been so long put away; she affected to be cold, that she might wrap herself in splendid furs, as in the good old times, and she had taken again, with an undefinable sense of luxury, to the wearing of the wrappers trimmed with lace, and the excessively fine under-linen which had so greatly offended Mme. Frantz's sense of propriety.
"I don't want to die like a petty tradesman's wife, but like a princess," she said to Marthe, showing her embroidered coverlet and her pillow trimmed with rich lace. "If my mother were to come she would not know her daughter by my looks, but she shall find her again at least in all my surroundings."
And with childish pleasure and vanity she moved her little feet covered by silken hose, in their velvet slippers embroidered with pearls.
There was but one thing in the past that she would not hear spoken of, that she refused to see again—Paul's studio. Since her husband's departure she had not gone into it, and had given orders that it should be closed against everybody. She caused to be removed from her sight everything that could remind her of art and artists, never asking about the theaters, new books, or exhibitions of pictures.
Nevertheless, she had kept in her bedroom Paul's painting of her, half nude, as Diana the Huntress, before which Mme. Daubrel had surprised her one day, her eyes filled with tears, murmuring: "And I was as beautiful as that once!"
Marthe wanted them to have the picture taken away, but Lise opposed it, saying: