As for Paul he never missed a day in going to see the princess, and he was full of cares and attention for her but sometimes he shortened his visits. If, through her state of health, Lise Olsdorf had become less passionate and more tender; if her love was, so to speak, purified in the maternity that absorbed it, Paul's, who had not the same reason to change, grew colder, incapable as he was of ideal tenderness and immaterial satisfaction. For her lover Lise Olsdorf ceased temporarily to be the lascivious, unsatiated, delirious mistress; for the artiste she was no longer the Diana whose sculptural form he had reproduced.

She was a suffering woman in a difficult situation, in the throes of an event which might occasion both of them grave annoyance. The painter paid little heed to the child about to be born, the sense of paternity being wholly wanting in him. He would not of course disown it and would no doubt love it, but he awaited it without impatience, very uneasy about what would result from all this, and preoccupied at the near arrival of Prince Olsdorf, in whose presence he was not at all eager to find himself. Thenceforward he looked about for something to distract his thoughts; he visited his brother artists more than ever, and one day fate brought him face to face in one of their studios with Sarah Lamber whom he had not seen since their rupture.

Nonplused for the moment, the artist wanted then to carry off the thing easily. With a smile, offering his hand, he said:

"'Pon my word, Sarah, here is a bit of luck I was not looking for."

And as the model had fallen back a step, he added:

"Bah! We are angry then, are we? How silly you are!"

"Very likely," said Sarah; "but I have a good memory. You shall have a proof of it one of these days, sooner than you think for. If you fancy I have given up the thought of revenging myself on you and your princess Olsdorf—you see I remember her name—you are wrong. It seems she is going to make a father of you, this princess. My compliments to you—and to her husband."

Happily the friend at whose place the scene began interrupted the young woman at this point, for Paul Meyrin was at a loss what to say, being troubled on Lise's account that her story should be so well known to everybody and therefore in danger of being indiscreetly spoken of. He cut short the visit to his friend and returned home much concerned. He knew that Sarah was a girl likely to keep her word. Besides he could not hide from himself that his intrigue with the Princess Olsdorf was now common property. It was a wonder that her husband had not been told of it long ago.

As it might easily chance that the prince hastening his journey, might appear suddenly any day, Paul Meyrin began to long for Lise's confinement. It did not take place for six weeks. At last, toward the end of March, as she had reckoned, attended by the eminent Dr. de Soyre, and affectionately cared for by Mme. Daubrel, the princess was delivered of a little girl whose birth was registered next day at the Russian legation, in the name of Catherine Tekla, legitimate daughter of the Prince and Princess Olsdorf.

Then, twenty-four hours later, Lise telegraphed to her husband to inform him of the event which she said had happened sooner than she had expected. She added that her confinement had been so easy that she hoped to be about again in a few days. Happy as she would be to see him, it was useless for him to make the long journey from St. Petersburg to Paris, as she meant to return to Russia in a few weeks, when her health permitted.