[Footnote 7: An Hymne in Honour of Beautie.]
[Footnote 8: Faerie Queene, Book III., Canto 4.]
[Footnote 9: Ibid., Book I., Canto 3.]
[Footnote 10: Smith's York Plays.]
[Footnote 11: C.W. Wallace's The Evolution of the English Drama up to
Shakespeare.]
[Footnote 12: Wallace, op. cit., p.37.]
[Footnote 13: What We Know of the Elizabethan Stage.]
[Footnote 14: Performances were often given at night in private theaters. From the records in a lawsuit over the second Blackfriars Theater, we learn that there were in 1608 only three private theaters in London,—Blackfriars, Whitefriars, and a St. Paul's Cathedral playhouse, in which boys acted.]
[Footnote 15: This drawing of the Swan Theater, London, was probably made near the end of the sixteenth century by van Buchell, a Dutchman, from a description by his friend, J. de Witt. The drawing, found at the University of Utrecht, although perhaps not accurate in details, is valuable as a rough contemporary record of an impression communicated to a draftsman by one who had seen an Elizabethan play.]
[Footnote 16: The lease of the building for the first Blackfriars Theater, on Ludgate Hill, London, was taken in 1576 by Richard Farrant, master of the boys of Windsor Chapel, and canceled in 1584. In 1595 James Burbage bought a building for the second Blackfriars Theater, near the site of the first. This was a private theater, competing with the Globe, with which Shakespeare was connected. The chief dramatists for the second Blackfriars were Ben Jonson, George Chapman, and John Marston. James I. suppressed the second Blackfriars in 1608 because its actors satirized him and the French king. A few months later, Shakespeare and his associates assumed the management of the Blackfriars and gave performances there as well as at the Globe.