"Children of earth, our half-weaned nature clings
To earth's fond memories, and her whispered name
Untunes our quivering lips, our saddened strings;
For there we loved, and where we love is home."
When Holmes went to Oxford in 1886, to receive an honorary degree, it is probable that, as in the case of Irving, the Oxford boys in the gallery voiced the popular verdict. As Holmes stepped on the platform, they called, "Did he come in the One-Hoss Shay?" This humorous poem, first known as The Deacon's Masterpiece, has been a universal favorite. How the Old Hoss Won the Bet tells with rollicking humor what the parson's nag did at a race. The Boys, with its mingled humor and pathos, written for the thirtieth reunion of his class, is one of the best of the many poems which he was so frequently asked to compose for special celebrations. No other poet of his time could equal him in furnishing to order clever, apt, humorous verses for ever recurring occasions.
PROSE.—He was nearly fifty when he published his first famous prose work. He had named the Atlantic Monthly, and Lowell had agreed to edit it only on condition that Holmes would promise to be a contributor. In the first number appeared The Autocrat of the Breakfast Table. Holmes had hit upon a style that exactly suited his temperament, and had invented a new prose form. His great conversational gift was now crystallized in these breakfast table talks, which the Autocrat all but monopolizes. However, the other characters at the table of this remarkable boarding house in Boston join in often enough to keep up the interest in their opinions, feelings, and relations to each other. The reader always wants to know the impression that the Autocrat's fine talk makes upon "the young man whom they call 'John.'" John sometimes puts his feelings into action, as when the Autocrat gives a typical illustration of his mixture of reasoning and humor, in explaining that there are always six persons present when two people are talking:—
[Illustration: THE AUTOCRAT OF THE BREAKFAST TABLE ]
"Three Johns.
1. The real John; known only to his Maker.
2. John's ideal John; never the real one, and often very unlike him.
3. Thomas's ideal John; never the real John, nor John's John, but often very unlike either.
"Three Thomases.
1. The real Thomas.