Dr. Allen, Edwards's biographer and critic, and a careful student of his unpublished, as well as of his published, writings, says, "He was at his best and greatest, most original and creative, when he described the divine love." Such passages as the following, and also the one quoted on page 51, show this quality:—
"When we behold the fragrant rose and lily, we see His love and purity.
So the green trees and fields and singing of birds are the emanations of
His infinite joy and benignity. The easiness and naturalness of trees and
vines are shadows of His beauty and loveliness."
His favorite text was, "I am the Rose of Sharon and the Lily of the valleys," and his favorite words were "sweet and bright."
ENGLISH LITERATURE OF THE PERIOD
The great English writers between the colonization of Jamestown in 1607 and the outbreak of the French and Indian War in 1754 are: (1) JOHN MILTON (1608-1674), the great poetic spokesman of Puritan England, whose Comus is addressed to those, who:—
"… by due steps aspire To lay their just hands on that golden key That opes the palace of eternity,"
whose Sonnets breathe a purposeful prayer to live this life as ever in his great Taskmaster's eye, and whose Paradise Lost is the colossal epic of the loss of Eden through sin; (2) JOHN BUNYAN (1628-1688), whose Pilgrim's Progress addressed itself in simple, earnest English to each individual human being, telling him what he must do to escape the City of Destruction and to reach the City of All Delight; (3) JOHN DRYDEN (1631-1700), a master in the field of satiric and didactic verse and one of the pioneers in the field of modern prose criticism; (4) ALEXANDER POPE (1688-1744), another poet of the satiric and didactic school, who exalted form above matter, and wrote polished couplets which have been models for so many inferior poets; (5) the essayists, RICHARD STEELE (1672-1729) and JOSEPH ADDISON (1672-1719), the latter being especially noted for the easy, flowing prose of his papers in the Spectator; (6) JONATHAN SWIFT (1667-1745), a master of prose satire, whose Gulliver's Travels has not lost its fascination; (7) DANIEL DEFOE (1661?-1731) whose Robinson Crusoe continues to increase in popularity; (8) SAMUEL RICHARDSON (1689-1761), and HENRY FIELDING (1707-1754), the two great mid-eighteenth-century novelists.
The colonial literature of this period was influenced only in a very minor degree by the work of these men, for a generation usually passed before the influence of contemporary English authors appeared in American literature. In the next chapter, we shall see evidences of the influence of Pope. Benjamin Franklin will tell us how Bunyan and Addison were his teachers, and the early fiction will show its indebtedness to the work of Samuel Richardson.
LEADING HISTORICAL FACTS
Virginia and Massachusetts produced the most of our colonial literature. There were, however, thirteen colonies stretched along the seaboard from Georgia (1733), the last to be founded, to Canada. Although these colonies were established under different grants or charters, and although some had more liberty and suffered less from the interference of England than others, it is nevertheless true that every colony was a school for a self-governing democracy. No colonies elsewhere in the world had the same amount of liberty. This period was a necessary preparation for the coming republic.