The church was originally built about 948 A.D., by Ulsinus, the sixth Abbot of St. Albans, but none of his work remains. It seems to have been almost entirely rebuilt at the end of the fifteenth century, and most of it is Perpendicular in character. It has a central tower rebuilt about a hundred years ago, and until that time had a transept. There is a clerestory on either side of the nave. The chancel and the west end with its circular window show signs of Lord Grimthorpe's style of restoration. The tower contains a fine peal of ten bells. In the windows of the south aisle is some richly coloured modern Belgian glass by Capronnier; in the windows of the north aisle are some fragments of fourteenth or fifteenth century glass, including the arms of Edmund, the fifth son of Edward III., from whom in the male line Edward IV. was descended, though he also traced his descent and his claim to the throne from Lionel, the third son, through his daughter Philippa.
In the churchyard, which is of considerable extent, many of those who fell in the two battles of St. Albans were buried.
St. Michael's Church.—St. Michael's Church is further from the cathedral than St. Peter's. To reach it one must go westward from the Clock Tower, along High Street and its continuations, down the hill past Romelands, where, as we have seen, George Tankerfield, condemned by Bishop Bonner as a Protestant heretic, was burnt at the stake. At last a bridge over the Ver is reached, and, turning round to the left after crossing it, we see St. Michael's Church before us. It has within the last ten years lost its Saxon tower, a new one with no pretention to beauty, pierced by two pentagonal windows in the third stage, having been built on a slightly different foundation. It stands within the area once inclosed by the walls of Verulamium, and Sir Gilbert Scott conjectured that it was originally the Basilica of the Roman city altered for Christian worship; but probably, though it may stand on the same site, it is of more recent date, though still of great age. Like the cathedral, its walls are built of Roman brick and flint. The plan is irregular: there is a nave and chancel, a large south aisle, or rather chantry, the eastern gable of which is of half-timber construction, below which are two tall round-headed windows far apart, with a small circular opening between them; the western gable has an opening with louvre boards. The tower projects from the north aisle, its western wall being flush with the west end of the nave; on the outside in the south wall of the chancel is a canopied niche over a flat slab a few inches above the level of the ground. The south door, within a porch, has a pointed top beneath a wide, round-headed arch springing from imposts. The arcading of the nave was formed by cutting arches through what probably were at one time the outside walls of the church; two of these on the south side open into the chapel. The carved oak pulpit of early seventeenth-century work, with its sounding-board and iron frame for the hour-glass, demands attention; but the chief attraction of the church for many is the alabaster statue of Francis Bacon, which is placed in a niche in the north wall of the chancel. He wished to be buried in this church, as his mother was already buried there, and moreover it was the parish church of his house at Gorhambury, and the only Christian church within the walls of ancient Verulam, from which he took one of his titles.
St. Stephen's Church.—There are two ways of getting to this church: either by following the road that runs south from St. Michael's, and after reaching the top of the hill turning sharply to the left; or by going from the centre of the city down Holywell Hill and straight on, past the London and North-Western Railway Station, up St. Stephen's Hill. The church spire is a conspicuous landmark. The churchyard is exceedingly pretty, and the church most interesting. It was originally built in the tenth century by Abbot Ulsinus, rebuilt in the time of Henry I., restored in the fifteenth, and again by Sir Gilbert Scott in the nineteenth century. The south porch is of timber; under it is a square-headed doorway; to the east of it is a chapel once called "the Leper's Chapel," but probably a chantry, now used as a vestry. There is a small aisle on the south side. The spire is a broach and stands at the west end. On the north side of the nave is a wide, blocked-up, round-headed arch; through the blocking wall a pointed doorway was cut, but this is also now blocked up. There is a door of Perpendicular style, with a square-headed label terminated by heads much weathered, in the west wall of the tower. The walls of this church are of the usual materials, flint and Roman brick.
The lectern is of brass, and bears round its foot the inscription "Georgius Creichtoun Episcopus Dunkeldensis." There were two Scotch bishops of this name; both lived in the sixteenth century. How the lectern reached St. Albans no one knows for certain, but it may possibly have been part of the plunder carried off by Sir Richard Lee from Scotland. It was hidden for safety in a grave at the time of the civil wars, but was found again in 1748 when the vault was opened.
The Clock Tower.—This is a most conspicuous object in the city, standing near the market-place, almost due north of the Lady Chapel. It was built at the beginning of the fifteenth century in order that the curfew bell might be hung in it. This had been cast some seventy years before the building of the tower, and had hung in the central tower of the Abbey Church; it weighs about a ton. It bears the inscription: "Missi de coelis, habeo nomen Gabrielis." The tower was restored under the direction of Sir Gilbert Scott in 1865, and in the process has lost most of the interest it possessed.