"Please make allowances for him," Norma begged, approaching Phillips in order that her words might not be overheard. "I've never seen him so broken up over anything. He is always unstrung after an opening, but he is—terrible, this morning."

There was trouble, timidity, and another indefinable expression in the woman's eyes as they followed the vanishing figure of her husband; faint lines appeared at the corners of her mouth, lines which had no place in the face of a happily married woman. She was trembling, moreover, as if she had but recently played some big, emotional rôle, and Phillips felt the old aching pity for her tugging at his heart. He wondered if those stories about Francis could be true.

"It has been a great strain on all of us," he told her. "But you? How do you feel after all this?" He indicated the pile of morning papers, and at sight of them her eyes suddenly filled with that same wonder and gladness he had noticed when she first arrived.

"Oh-h! I—I'm breathless. Something clutches me—here." She laid her hand upon her bosom. "It's so new I can't express it yet, except—well, all of my dreams came true in a night. Some fairy waved her wand and, lo! poor ugly little me—" She laughed, although it was more like a sob. "I had no idea my part was so immense. Had you?"

"I had. I wrote it that way. My dreams, also, came true."

"But why?" A faint flush stole into her cheeks. "There are so many women who could have played the part better than I. You had courage to risk your piece in my hands, Mr. Phillips."

"Perhaps I knew you better than you knew yourself." She searched his face with startled curiosity. "Or better at least than the world knew you. Tell me, there is something wrong? I'm afraid he—resents your—"

"Oh no, no!" she denied, hastily, letting her eyes fall, but not before he had seen them fill again with that same expression of pain and bewilderment. "He's—not himself, that's all. I—You—won't irritate him? Please! He has such a temper."

Francis came out of the shadows scowling. "Well, let's get at it," said he.

Phillips agreed. "If you don't mind we'll start with your entrance. I wish you would try to express more depth of feeling, more tenderness, if you please, Mr. Francis. Remember, John Danton has fought this love of his for many years, undertaking to remain loyal to his wife. He doesn't dream that Diane returns his love, for he has never spoken, never even hinted of his feelings until this instant. Now, however, they are forced into expression. He begins reluctantly, frightened at the thing which makes him speak, then when she responds the dam breaks and his love over-rides his will power, his loyalty, his lifelong principles; it sweeps him onward and it takes her with him. The truth appals them both. They recognize its certain consequences and yet they respond freely, fiercely. You can't overplay the scene, Mr. Francis."