As for Miss Demorest, she took a grim delight in his discomfort, and prepared to blast him with sarcasm, to wither him with her contempt when the moment came. Meanwhile she listened as the two men talked, turning up her nose when Pope scored Broadway with his usual bitterness.
"He thinks that's smart," she reflected; but she, too, detested the Great Trite Way, and his words expressed her own distaste so aptly that she could think of no argument sufficiently biting to confound him. She deliberately framed a stinging reference to his pose in the matter of dress, though in frankness she had to admit that he wore his gray sweater vest with an air of genuine comfort and unconsciousness. Then she remembered, barely in time, that her own style in garments both on and off the stage was far more startling than his, and decided that she would merely be laying herself open to a disastrous counter-attack if she hurled her sarcasm in that direction; therefore she sought another opening. She had made up her mind to begin humbling his conceit by voicing her contemptuous regard for newspaper men in general when he once more forestalled her by giving crisp expression to the very sentiments she was rehearsing. Of course, it was all affectation, like his slovenly disregard of fashion—and yet, she was interested to hear him tell Bob:
"I don't like the business—never have. Every time I get some money ahead I quit it and try something else. Writing isn't a man's exercise, anyhow, and journalism is just a form of body-snatching. The average reporter is a ghoul."
"You don't do reporting," said Bob.
"No, I don't; but that's all a dramatic review ought to be—a news story. Why not have social critics to comment on society entertainments—or financial critics to roast unhealthy commercial enterprises and advertise safe ones? How long d'you think Wall Street would stand for that? Why don't the papers hire dry-goods experts to prowl through the department stores, publishing the cost prices of merchandise and warning the public against bargain sales? That's what we do. We ridicule and warn and criticize, but we never build up. The theatrical business is the only one that permits outside interference—as if the public couldn't tell a good play from a poor one. It wouldn't be so bad if we were always honest; but we're not: we have to be smart to hold our jobs. We're like a patent dandruff cure—we don't cure, but we sting, and the public thinks we're beneficial."
Notwithstanding his garrulity, Pope was noticeably ill at ease. He was conscious of Miss Demorest's hostile eyes, and the pointed manner in which she ignored his presence was disquieting. He had the feeling that she was carefully measuring him and preparing herself to take revenge in some characteristic feminine manner. Knowing extremely little of women, he could not imagine what form that revenge would assume, and the uncertainty annoyed him. The dinner seemed slow in coming, conversation dragged, and, rising, he began to wander nervously about, canvassing his mind for some excuse to leave. Bob appeared to enjoy his lack of repose, and offered no relief. At last Pope turned to the piano and fluttered through the stack of sheet-music he found there.
"Do you play?" inquired Bob.
"Yes. Why?"
"You look as if you did—you're kind of—badly nourished. Know any rag-time?"
Pope shuddered. "I do not."