"Where'd you get it?"
"Bought it yesterday. It's first class and better, and he'll fit my description. We're about the same size."
"Ain't you goin'?"
"No. I've changed my mind. I may jump over to Paris. Come, are you on?"
Higgins giggled. "Darn' funny idea, if you can get him full."
"Wait." Locke rose and went to the bar, where he called loudly for the singer; then, when the bartender had deserted the piano, he spoke to Anthony: "Keep it up, old man, you're doing fine."
For some moments he talked earnestly to the man behind the bar; but his back was to Higgins, Anthony was occupied, and Ringold still slumbered; hence no one observed the transfer of another of those yellow bills of which he seemed to have an unlimited store.
Strangely enough, Mr. Jefferson Locke's plan worked without a hitch. Within ten minutes after Kirk Anthony had taken the drink handed him he declared himself sleepy, and rose from the piano, only to seek a chair, into which he flung himself heavily.
"It's all right," Locke told his drunken companion. "I've got a taxi waiting. We'll leave Ringold where he is."
Twenty-four hours later Adelbert Higgins undertook to recall what had happened to him after he left Muller's place on East Fourteenth Street, but his memory was tricky. He recollected a vaguely humorous discussion of some sort with a stranger, the details of which were almost entirely missing. He remembered that dawn had broken when he came out of the saloon, but beyond that he could not go with any degree of certainty. There was a hazy memory of an interminable ride in a closed vehicle of some sort, a dizzy panorama of moving buildings, bleak, wind-swept trees, frosty meadows, and land-locked lakes backed by what were either distant mountain ranges or apartment houses. This last, however, was all very blurred and indistinct.