Even before they reached their destination they saw people running through the dusk toward the house in which the two girls lived and heard a shot muffled behind walls. O'Neil reined the horse to his haunches as the shrill cry of a woman rang out above them, and the next moment he and O'Connell were inside, rushing up the stairs with headlong haste. They were brought to a stop before a bolted door from behind which came the sounds of a furious struggle.
"Blake! Norvin Blake!" shouted O'Connell.
"Break it down!" O'Neil ordered. He set his back against the opposite wall, then launched himself like a catapult. The patrolman followed suit, but although the panels strained and split the heavy door held.
"By God! he's in there!" the Chief cried, as he set his shoulder to the barrier for a second time. "Once more! Together!" Through a crevice which had opened in the upper panels they caught a glimpse of the dimly lighted room. What they saw made them struggle like madmen.
Another shot sounded, and O'Neil in desperation inserted his fingers in the opening and tore at it. Through the aperture O'Connell saw Maruffi run to an open window at the rear, then pause long enough to snatch the taper from its sconce at the foot of the little shrine and, stooping, touch its flame to the long lace curtains. They promptly flashed into a blaze. Parting them, he bestrode, the sill, lowered himself outside, and disappeared. It was an old but effective ruse to delay pursuit.
"Quick! He's set fire to the place," O'Connell gasped, and dashed down the hall.
A tremendous final heave of O'Neil's body cleared his way, a few strides and he was at the window, ripping the blazing hangings down and flinging them into the court below. When he turned it was to behold in the dim twilight Vittoria Fabrizi kneeling beside Blake. Her arms were about him, her yellow hair entwined his figure.
"A light! Somebody get a light!" the Chief roared to those who had followed him up the stairs, then seeing a lamp near by he lit it hurriedly, revealing the full disorder of the room. He knelt beside Vittoria, who drew the fallen man closer to her, moaning something in Italian which O'Neil could not understand. But her look told him enough, and, rising, he ordered some one to run for a doctor. Strangers, white-faced and horrified, were crowding in; the sound of other feet came from the stairs outside, questions and explanations were noisily exchanged. O'Neil swore roundly at the crowd and drove it ahead of him down into the street, where he set a man to guard the door. Then he returned and helped the girl examine her lover's wounds. Her fingers were steady and sure, but in her face was such an abandonment of grief as he had never seen, and her voice was little more than a rasping whisper. They were still working when the doctor came, followed a moment later by a disheveled, stricken figure of tragedy which O'Neil recognized as Oliveta.
At sight of her foster-sister the peasant girl broke into a passion of weeping, but Vittoria checked her with an imperious word, meanwhile keeping her tortured eyes upon the physician. She waited upon him, forestalling his every thought and need with a mechanical dexterity that bore witness to her training, but all the while her eyes held a pitiful entreaty. Not until she heard O'Neil call for an ambulance did she rouse herself to connected speech. Then she exclaimed with hysterical insistence:
"You shall not take him away! I am a nurse; he shall stay here. Who better than I could attend to him?"