"Don't be afraid. No one shall harm you," he told the boy, reassuringly.
"You promise?"
"Yes."
Cressi snatched his son to his side and scowled upward, breathing a malediction upon the American.
Inasmuch as the assassination had been carefully planned and executed at a late hour on a deserted street, it was popularly believed that very little direct testimony would be brought out, and that a conviction, therefore, would rest mainly upon circumstantial evidence; but as the trial progressed the case against the prisoners developed unexpected strength. Had Donnelly fallen at the first volley, his assailants would, in all probability, never have been identified, but he had stood and returned their fire for a considerable time, thus allowing opportunity for those living near by to reach their windows or to run into the street in time to catch at least a glimpse of the tragedy. Few saw more than a little, no one could identify all six of the assailants; but so thoroughly had the prosecution worked, so cunningly had it put these pieces together, that the whole scene was reproduced in the court-room. The murderers were singled out one by one and identified beyond a reasonable doubt.
One witness had passed Larubio's shop a few minutes before the shooting and had recognized the cobbler and his brother-in-law, Gaspardo Cressi. He also pointed out Normando and Paul Rafiro, both of whom he knew by sight.
From an upper window of a house near by another man who had been awakened by the noise saw Normando and Celso Fabbri in the act of firing. A woman living opposite the cobbler's house peered out into the smoke and flare in time to see Adriano Dora kneeling in the middle of the street. He was facing her; the light was fairly good; there could be no mistake. Various residents of the neighborhood had similar tales to tell, for, while no one had seen the beginning of the fight, a dozen pairs of eyes had looked out upon the finish, and many of these had recorded a definite picture of one or more of the actors. A gentleman returning from a lodge-meeting had even found himself on the edge of the battle, and had been so frightened that he ran straight home. He had learned, later, the significance of the fray, and had told nobody about his experience until Norvin Blake had traced him out and wrung the story from him. He feared the Mafia with the fear of death; but descending from the stand he pointed out four of the assassins—Normando, Fabbri, Rafiro, and Dora. He had seen them in the very act of firing.
A watchman on duty near by saw the boy Gino running past a moment before the shooting began; then, as he hurried toward the disturbance, he met Normando, Dora, and Rafiro coming toward him. The first of these carried a shotgun, which dropped into the gutter as he slipped and fell. The weapon and the suit of clothes Normando had worn were produced and identified. It transpired that this witness knew Paul Rafiro well, and for that reason had refused to tell what he knew until Norvin Blake had come to him and forced the words from his lips.
So it ran; the chain of evidence grew heavier with every hour. It seemed that some superhuman agency must have set the stage for the tragedy, posting witnesses at advantageous points. People marveled how so many eyes had gazed through the empty, rainy night; it was as if a mysterious hand had reached out of nowhere and brought together the onlookers, one by one, willing and unwilling, friend and enemy alike.
A more conclusive case than the State advanced against the six hired murderers during the first few days would be hard to conceive, and the public began to look for equally conclusive proof against the master ruffian and his lieutenants; but through it all Maruffi sat unperturbed, guiding the counsel with a word or a suggestion, in his bearing a calm self-assurance.