Norvin Blake was not a willing participant in the lynching, although he had gone to the meeting at Clay Statue determined to do what he considered his duty. He had felt no doubt as to the outcome of the mass-meeting even before he saw its giant proportions, and even before it had sounded its approval of the first speaker's words, for he knew how deeply his townspeople were stirred by the astounding miscarriage of justice. At the rally of the Committee on the afternoon previous it had been urged to proceed with the execution at once, and the counsel of the more conservative had barely prevailed. Blake knew perhaps better than his companions to what lengths the rage of a mob will go, and he confessed to a secret fear of the result. Therefore, although he marched in the vanguard of the storming party, it was more to exercise a restraining influence and to prevent violence against unoffending foreigners, than to take part in the demonstration. As for the actual shedding of blood, his instinct revolted from it, while his reason recognized its necessity and defended it.
Bernie Dreux's amazing assumption of dictatorship had relieved him of the duty of heading the mob, a thing for which he was profoundly grateful. When the main body of vigilantes had armed itself, he fell in beside his friend with some notion of helping and protecting him. But the little man proved amply equal to the occasion. He was unwaveringly grim and determined It was he who faced the oaken gate and demanded entrance in the name of the people; it was he who suggested the use of the battering-ram; and it was he who first fought his way through the breach, at the risk of bullets from within. Blake followed to find him with his fowling-piece at the head of the prison captain, and demanding the keys to the cells.
The posse had gained a partial entrance, but another iron-ribbed door withheld them from the body of the prison, and there followed a delay while this was broken down. Meanwhile, from within came the sound of turning locks and of clanging steel doors, also a shuffling of many feet and cries of mortal terror, which told that the prisoners had been freed to shift for themselves in this extremity.
In truth, a scene was being enacted within more terrible than that outside, for as the deputies released the prisoners, commanding them to save themselves if they could, a frightful confusion ensued. Not only did the eleven Sicilians cry to God, but the other inmates of the place who feared their crimes had overtaken them joined in the appeal. Men and women, negroes and whites, felons and minor evil-doers, rushed to and fro along the galleries and passageways, fighting with one another, tearing one another from places of refuge, seeking new and securer points of safety. They huddled in dark corners; they crept under beds, beneath stairways, and into barrels. They burrowed into rubbish piles only to be dragged out by the hair or the heels and to see their jealous companions seize upon these sanctuaries.
Terror is swiftly contagious; the whole place became a seething pit of dismay. Some knelt and prayed, while others trampled upon them; they rose from their knees to beat with bleeding fists upon barred doors and blind partitions; but as their fear of death increased and the chorus of their despair mounted higher there came another pounding, nearer, louder—the sound of splitting wood and of rending metal. To escape was impossible; to remain was madness; of hiding-places there was a fearful scarcity.
The regulators came rushing into the prison proper, with footsteps echoing loudly through the barren corridors. Out into the open court they swarmed, then up the iron stairways to the galleries that ringed it about, peering into cells as they went, ousting the wretched inmates from remotest corners. But the chamber in which they knew their quarry had been housed was empty, so they paused undecided, while from all sides came the smothered sounds of terror like the mewling and squeaking of mice hidden in a wall.
Suddenly some one shouted, "There they are!" and pointed to the topmost gallery, which ran in front of the condemned cells. A rush began, but at the top of the winding stairs another grating barred the way. Through this, however, could be seen Salvatore di Marco, Giordano Bolla, and the elder Cressi. The three Sicilians had fled to this last stronghold, slammed the steel door behind them, and now crouched in the shelter of a brick column. Some one hammered at the lock, and the terrified prisoners started to their feet with an agonized appeal for mercy. As they exposed themselves to view a man fired through the bars. His aim was true; Di Marco flung his arms aloft and pitched forward on his face. Crazed by this, his two companions rushed madly back and forth; but they were securely penned in, and appeal was futile. Another shot boomed deafeningly in the close confines of the place, and Cressi plunged to his death; then Bolla followed, his bloody hands gripping the bars, his face upturned in a hideous grimace, and his eyes, which stared through at his slayers, glazing slowly.
Down the ringing stairs marched the grim-featured men who had set themselves this task, and among them Bernie Dreux strode, issuing orders. The weapon in his hand was hot, his shoulder was bruised, for he had long been unaccustomed to the use of firearms.
Then began a systematic search of the men's department of the prison; but no new victims were discovered, only the ordinary prisoners who were well-nigh speechless with fright.
"Where are the others?" went up the cry, and some one answered: