"Is not he beautiful?" asks Cecilia, with another laugh, alluding to her coachman, as she and Burgoyne set off upon their tête-à-tête drive, Mr. Wilson seeing, apparently, no reason in the fact of his (Burgoyne's) appearance on the scene for departing from his invariable custom of walking home from church; "is not he beautiful? When first we came here we were in mourning; as if"—catching herself up with a stifled sigh—"there were any need to tell you that; and father wanted to put him into black, but I would not hear of it: was not I right? He would have been nothing in black; it is his red and yellow that give him his cachet."
Jim feels inclined to burst out laughing. There is something so ludicrous in the disproportion between his fears and their fulfilment, in the fact of the whole importance of Amelia's death resolving itself into a sash or no sash for an Arab coachman, that he has some difficulty in answering in a key of which the irony shall not be too patent:
"I think you were perfectly right."
He does not know whether she perceives the dryness of his tone; he thinks probably not, as she goes on to ask him a great many questions as to his journey, etc., talking quickly and rather flightily, scarcely leaving room between her queries for his monosyllabic replies, and ending with the ejaculation:
"How nice it is to see you again!"
"Thank you." His acknowledgment seems to himself so curt that, after a moment, he feels constrained to add something to it. That something is the bald and trivial inquiry: "And you—how have you all been getting on?"
Cecilia shrugs her shoulders.
"We are better off than we were; you know that, of course. Nobody ever thought that father's brother would have died before him. Wait till you see our villa—it is one of the show ones here; and of course it is very pleasant having more money; but one cannot help wishing that it had come earlier." She sighs as she speaks; not an ostentatious sigh, but a repressed and strangled one; and, despite the flower-garden in her bonnet, his heart softens to her. Perhaps his look has rested on that flower-garden with a more open disapprobation than he knows, for she says presently: "I think that one may be very bright-coloured outside, and very black inside. Father and I are sometimes very black inside."
"Are you?"
"We do very well when we are alone together, father and I; we like to talk about her. Dear me! what a place Algiers is for dust! that is why there are so many blind people here. How it gets into one's eyes!" She puts her handkerchief up hastily to her face as she speaks; but Jim is not taken in by the poor little ruse, and he listens to her in a silence that is almost tender, as she goes on: "Sybilla begins to cry if we even distantly allude to her; yet I know"—with exasperation—"that she talks of her by the hour to strangers—to her new doctor, for instance; yes, she has picked up a new doctor here—a dreadful little adventurer! She will probably talk of nothing else but her to you."