It is accepted with ready meekness, but leaves the recipient so crestfallen, as she stands looking after the departing vehicle, that Burgoyne cannot forbear joining her, with some vague and, as he knows, senseless velleity of championship and consolation.

"He is gone for a week, is not he?" is the form that his sympathy takes, in a tone which he is at but small pains not to render congratulatory.

"Yes, quite a week."

"Are you"—he is perfectly conscious while asking it that he has not the slightest right to put the question—"are you glad or sorry?"

She starts perceptibly.

"Why should I be glad? Do you mean"—with an unconquerable streak of satisfaction in her own voice—"because I shall have mammy all to myself? You must not think"—with an obvious rush of quickly following compunction—"that I am not fond of him, because he sometimes speaks a little roughly to me." After a pause, in a lowered voice: "You see, when you have broken a person's heart, you can scarcely blame him for not having a very high opinion of you."

So saying, she suddenly leaves him as she had left him in the Jardin d'Essai. He does not again approach her that day, but at dinner-time he has the answer to his question as to her being glad or sorry at her father's departure. She is apparently in the best of spirits, sitting nestled close up to her mother for the better convenience of firing a series of little jokes and comments into that parent's appreciative ear.

"They make fun of the whole hotel," observes Miss Strutt with exasperation. "I do not believe that one of us escapes! When he is not there to check them, there is no holding them!"

No holding Elizabeth! The phrase recurs to him several times during the next few days, as not without its justness, when he sees its object flitting about the house, gay as a linnet; when he meets her singing subduedly to herself upon the stairs; when he watches her romping with the French children, and mischievously collecting flowers of Clapham eloquence from their governess, which she is good enough to retail for his own and her mother's benefit when evening unites the three in the retirement of their little salon. For, strange and improbably blissful as it seems, he has somehow, ere three days are over, effected an entrance into that small and fragrant sanctuary.

Mrs. Le Marchant's first fears that the meeting with him again would re-open sorrow have disappeared in the light of her daughter's childish gaiety, and are even exchanged for a compunctious gratitude to him for having been in part the cause of her new light-heartedness. The weather has again broken, a fact which he alone of the whole hotel does not deplore, since it was his own ostentatiously displayed wet-day dreariness that was the cause of his first admission within the doors that are closed upon all others. Moreover, had it not been wet weather, could he have held an umbrella over Elizabeth's head when he met her in the eucalyptus wood, and they walked among the naked trunks, while the long, loose, pale foliage waved like dishevelled hair in the rain, and the pungent asphodels grew thick about their feet in the red earth? And when, by-and-by, the clouds disperse again, and there comes a fair day, bracketed between three or four foul ones—the usual Algerian proportion—it has grown quite natural to all three that he should sit opposite to them in their drives; that he should haggle with Arabs for them, and remonstrate with the landlord, and generally transfer all the smaller roughnesses of life from their shoulders to his own. Brought into more intimate communion with them than he has ever been before, Burgoyne realizes how much they belong to the kneeling, leaning, spoiling type of womankind. Elizabeth would be the easiest woman in the world to manage. How is it that in her ten years of womanhood no man has been found to undertake the lovely facile task? He himself knows perfectly the treatment that would befit her; the hinted wishes—her tact is too fine and her spirit too meek to need anything so coarse as commands—the infinitesimal rebukes and the unlimited—oh! limitless—caresses: