While putting on his own mackintosh, he watches, with a subdued wonder, his friend winding himself into a huge white woollen comforter, and stepping into a pair of goloshes (he had been rather a smart undergraduate in his day), while outside the opened hall door the rain is heard to swish, and the wind to bellow.

"Had not we better have a hansom?" suggests Burgoyne, blinking, as the slant gust sends two or three stinging drops into his eyes.

"A hansom! nonsense!" returns the other, laughing, and with difficulty unfurling an umbrella in the teeth of the blast. "It is all very well for a bloated bachelor like you; but a man whose family is increasing at the rate mine is cannot afford himself such luxuries; come along, you are not sugar or salt."

Burgoyne feels that at this moment he can at all events conscientiously disclaim affinity with the first of the two.

It is indeed a wet night, wet as the one immortalized by Browning in "Christmas Eve and Easter Day;" and who ever brought a wet night and wet umbrellas "wry and flapping" so piercingly home to us as he? The talk so cheerfully promised by Burgoyne's sanguine friend is rendered absolutely impossible by the riot of the elements. It is a good step from the suburban villa, which is the scene of Brown's married joys, to the room in the heart of the town where the Provident Matrons hold their sabbat; and by the time that the two men have reached that room there is, despite his mackintosh, little of Burgoyne left dry except his speech. They are under shelter at last, however, have entered the building, added their umbrellas to many other streaming wrecks of whalebone huddled in a corner, and exchanged the dark blustering drench for a flare of gas, a reek of tea, and a sultry stream of wet clothes and humanity. The tea, indeed, is a thing of the past—all its apparatus has been removed. The rows of chairs are all set to face the platform, and on those chairs the Provident Women sit, smiling, if damp, with here and there a little boy, evidently too wicked to be left at home, comfortably wedged between a couple of matronly figures.

The entertainment has already begun, and an undergraduate—damp, like everyone else—is singing, in a booming bass voice, something of a vaguely boastful nature about what he once did "In Bilboa's Bay." Burgoyne has for the moment lost sight of his chaperon, and remains standing near the door, looking upon the scene around him with an eye from which philanthropy is all too criminally absent. About him are grouped a few ladies and gentlemen—more of the former than the latter—who are obviously about to give their services, judging by their rolls of music and the books in their hands. His look passes over them indifferently—he has no acquaintance among them. He had never known many of the Oxford householders, and there is no place where a man becomes superannuated after so short a lapse of years.

Here are new arrivals. He turns his head mechanically as the opening door reveals the advent of more umbrellaed and mackintoshed waterfalls. Two men and a lady. As his eye alights on the woman, he does not start—we Anglo-Saxons are not apt to make our slow grave bodies the indexes of our emotions—but he is conscious of an odd and puzzling sensation. Where has he seen that face before?

"Bilboa's Bay" has come to an end without his perceiving it. He is putting his memory through her paces, trying to find some niche in his three happy Oxford years in which to place that strangely known yet unknown figure. There is no such niche. It is not an Oxford memory at all. What is it then? An earlier or a later one? His eyebrows are drawn together in the effort of recollection, making him look, if possible, crosser than before, when he is made aware of the return of Brown by finding his arm seized, and his friend's voice—a good deal hoarser even than when they left home—in his ear, "Jim, do you feel inclined to do a very good-natured thing?"

"Not in the least," replies Burgoyne promptly; "if anyone wishes to borrow £5 from me, I should advise him to choose a moment when I am drier about the legs."

Burgoyne has very often stood up to and over his knees in water for hours, watching for ducks among whistling reeds on winter mornings, and never thought himself at all to be pitied; but he is thoroughly vexed now at his moist trousers. Brown, however, is not so easily rebuffed.