'You dear old soul! It is your turn for a bit of luck next.'

And when the night comes—the night dreaded by watchers beside sick-beds, the night that doubles fever and sharpens pain, and accentuates grief—Prue, clasping to her feverish breast an old glove, left behind by careless Freddy on some former occasion, wakes repeatedly with a jump from her broken slumbers to ask in a terrified tone, 'Is it true? Is it real?' And Peggy is always there, always awake, always beside her to answer reassuringly that it is. It would have been too flagrant a violation of the laws of nature and disease, if poor Prue had escaped scot-free from her infraction of both; and, in fact, her escapade is followed, as the meanest observer might have predicted that it would be, by a very sharp attack of bronchitis.

For a few days her illness is so acute that it seems as if Mr. Ducane would be placed in the painful dilemma of either leaving his betrothed fighting hand to hand with death, or of abandoning his cherished project. He arrives at the Red House in the morning, almost before the shutters are opened; he strays for hours about the garden with his hands clasped, his head bent forward, and his charming face as white as a sheet, till even Jacob's bowels yearn over him; though the style of observations by which he elects to show his sympathy are not perhaps precisely of a cheering nature, consisting chiefly of remarks such as that 'his missis says she never see any one go downhill so quick as Miss Prue—never.'

One day when Prue is at her worst, Freddy lies on the floor at her threshold, with his face buried in the mat, to the intense admiring compassion of Sarah and the nurse; but he really is not thinking of them. By and by the disease yields to treatment. Perhaps the patient's determination to get quickly better—her eagerness to return to a life once more become joyous and valuable to her—counts for much in the quickness of her rally.

Whatever be the cause, Prue is certainly better—is able once again to sit up; to shake milady's hearty hand, and eat her excellent jelly. But by the time that she is able to do so, the Hartleys' monster yacht is getting up her steam at Southampton; and all her passengers, with the exception of Mr. Ducane, are off to embark upon her. Within two days the die must be cast as to whether Freddy is to be of that ship's company or not.

'It is for you to decide, sweet,' he says, in his south-wind voice with all the joyousness taken out of it, as he half-lies, half-sits, beside the dressing-room sofa, upon which she is stretched in her shadowy convalescence, while his head rests on the pillow beside hers. 'Yes—no! go—stay! I have no will but yours. You know that the only reason I ever had for wishing it was that I might come back a little less unworthy of you—with wider experience and larger horizons. As to pleasure'—with a small disdainful smile—'there can be no question of that! I think that my worst enemy will own that pleasure and I have waved farewell to each other of late.'

Prue has been lying prostrate and languid; but at his words she draws herself up into a sitting posture, and into her little face, not much less white than her dressing-gown, has come a faint pink flush—the flush of a generous effort.

'And, after all, it is only a year,' she says bravely. 'How absurd to make a fuss about only a year! When one was a child, one used to think it endless—an eternity; but now—why, it is gone by like a flash!'

'Only a year!' repeats Freddy, with a moan. 'Oh, Prue, can you say only? How do you do it, dear? Teach me—teach me!'

'And when it is over,' continues Prue, the colour deepening in her thin cheeks with the pain and labour of her sacrifice, 'and you come back, perhaps you will find me, too, changed, and not quite for the worse. Perhaps—perhaps if I do my best—if I try hard to educate myself between now and then—you will find me better able to understand your thoughts, and enter into your ideas, and say something besides the stupid praise—which I know has often vexed you, though you have tried not to show it—of your poems.'