'On the 3d inst., at Harborough Castle, ——shire, after a few days' illness, Francis Hugh de Vere Deloraine, only son of Ralph Harborough, Esq., aged 6 years.'

Even now that she has read it, she does not at once understand who it is that is dead. The string of high-sounding unfamiliar names sets her at fault. 'Francis Hugh de Vere Deloraine.' Is it—can it be Franky that is dead? Can it be that neither father nor mother have trodden the universal road, but that it is the little blooming child who has led the way? Why, it is impossible! There must be some mistake. It was only yesterday, as it were, that he was here; that she saw him passing through that very gate. In the confusion of her ideas, she has hurried out along the damp drive to the entrance-gate, and, standing there, gazes irrationally down the road, as if she expected once again to see the tiny sturdiness of the sailor figure, the tear-washed roses of the little face turned back over its shoulder in such fond and pouting protest at having to leave her; but the mist-bound road is empty—empty, save of its mire and of its rotting leaves. 'Franky dead! Little Franky dead!' She says it out loud, as if the idea could gain entrance into her brain more easily by her ears; and then she leans her forehead against the damp gate-post, and bursts out crying.

'I wish that I had given him another kiss! I wish that I had gone to the turn of the road with him, as he asked me! I wish that I had taken his knife!'

Her tears seem to make her intelligence clearer, to render sharper her power of suffering.

'Is there no one to be left alive? Is Death to have it all his own way?'

Her dimmed eyes rest on a drift of leaves blown by the last blusterous wind against the hedge-bank outside; a discoloured pile—the yellow poplar leaf, the black-brown pear and the bronzed beech, the ribbed hazel and the smooth lime—one fate has overtaken them all. Dead—dead!

At her foot is an elm-leaf half-dragged underground by the dark industry of some blind earthworm. Underground—underground! That is the bourne of us all; of the young green leaf, aloft two months ago on the tree-top, visited by the voyaging birds and the gamesome airs, as of the little bounding joyous child.

The searching vapour has penetrated her clothes, and made her shiver with cold; but she dares not yet go indoors again, dares not yet face her sick Prue, with those sudden tidings written on her face.

She retraces her steps along the drive, and turns into the garden—the empty garden; empty to-day of even Jacob's presence, as he is kept at home by his rheumatism. It is profoundly silent. The fog has got even into the robin's throat. It is profoundly silent; and yet to Peggy, the air is full of voices—the voices of her dead, her lost, and her dying. Her mother, Talbot, Prue, and now little Franky. He was not much to her, perhaps you may say; and yet she can ill spare his little drop of love out of her empty cup. Along the walks they hurry to meet her, and yet, as they come up to her, they pass her by with averted faces.

'I am certainly very lonely,' she says to herself, with a sort of astonishment; 'it is a very unusual case. There has happened to me what happens commonly to people only at eighty: I have outlived everything! I was given very few people to love, to begin with; but I did love them well. I gave them my very best. Oh, you cannot say, any of you, that I did not give you my very best, and yet not one of you will stay with me. Not one of you. God—God! What have I done to be picked out of all the world for such a fate? Is it fair? Is it fair?'