She puts her fingers in her ears and runs, nor does she stop until she has reached the close of the long, broad gravel walk that keeps the house-front company from end to end. Then she pauses and listens. No, she is not far enough off even yet. Fainter, but still perfectly audible, comes the vulgar ribaldry:
'Some other man!
.....'
and then the storm of applause. Let her at all events reach some spot where she will be unable to detect any tone of Prue's in that insane mirth! But is there such a spot? To her excited fancy it seems as if in the remotest dell, the loneliest coppice of the park, she would still overhear her Prue's little voice applauding that disgusting pleasantry.
She walks quickly on, between flower-borders and shrubberies, until she reaches a wrought-iron gate that leads into the walled garden. She opens it and passes through, then stands still once again to listen. She has succeeded at last. Not an echo of Betty's high-pitched indecencies attains to this quiet garden-close to offend her ears. There is no noise less clean and harmless than that of the south wind delicately wagging the heads of the slumberous flowers.
The garden, as its name implies, is hedged in from each rude gust on three sides by stout walls, stone-coped and balled. On the fourth, towards the sun-setting, it is guarded only by a light decorated iron railing, now muffled in the airy fluff of the traveller's joy, and embraced by the luxuriant arms of the hop, the clematis, and the wandering vine. Between their tendrils, between the branches of the strong tea-rose and the Virginia creeper's autumn fires, one catches friendly glimpses of the church tower and the park, and the gentle deer. Inside, the garden is encompassed by wide and crowded flower-borders, but the middle is sacred to the green simplicity of the velvet grass.
Margaret draws a deep breath of relief, and begins to walk slowly along. A row of tall, white gladioli, nearly as high-statured as herself, looking ghostly fair in the starshine, keep her company, lovely and virginal as May lilies; and from the farther side of the garden comes an ineffable waft of that violet smell which we used to connect only with spring. As she paces to and fro the ugly din fades out of her ears and the ireful red out of her cheeks. A sort of peace settles down upon her—only a sort of peace, however! Her mind is still oppressed by the image of Prue, and by a vague misgiving of coming trouble, coupled with a sense, which she will not own to herself, of personal disappointment, and of a mortified covert self-gratulation upon not having worn her best gown, or in anywise tricked herself out.
To one, however, whose hand is on the garden-latch, as she so thinks, she looks tricked out enough, indeed, in her own fairness; enough to make his heart sick with the hopelessness of its longing as he goes towards her. After all, she is not much surprised at his having followed her! Possibly he may have a message of recall for her.
'Well!' she says, meeting him with a delicate moonlit smile.
Low as the light is, it is light enough to show that there is no answering smile on his face.