She is ten—twelve years older than I. Between her and me lie the ten years best worth living of a woman's life; and yet, how easily she distances me! With no straining, with no hard-breathed effort, she canters lightly past me. So I think, as I intently and curiously watch her—watch her graceful, languid silence with women, her pretty, lady-like playfulness with men. And how successful she is with them! how highly they relish her! While I, in the uselessness of my round, white youth, sit benched among the old women, dropping spiritless, pointless "yeses" and "noes" among the veteran worldliness of their talk, how they crowd about her, like swarmed bees on some honeyed, spring day! how they scowl at each other! and finesse as to who shall approach most nearly to her cloudy skirts!
Several times I have strained my ears to catch what are the utterances that make them laugh so much, make them look both so fluttered and so smoothed. Each time that I succeed, I am disappointed. There is no touch of genius, no salt of wit in any thing she says. Her utterances are hardly more brilliant than my own.
You will despise me, I think, friends, when I tell you that in these days I made one or two pitiful little efforts to imitate her, to copy, distantly and humbly indeed, the fashion of her clothes, to learn the trick of her voice, of her slow, soft gait, of her little, surprised laugh. But I soon give it up. If I tried till my death-day, I should never arrive at any thing but a miserable travesty. Before—ere Roger's return—I used complacently to treasure up any little civil speeches, any small compliments that people paid me, thinking, "If such and such a one think me pleasing, why may not Roger?" But now I have given this up, too.
I seem to myself to have grown very dull. I think my wits are not so bright as they used to be. At home, I used to be reckoned one of the pleasantest of us: the boys used to laugh when I said things: but not even the most hysterically mirthful could find food for laughter in my talk now.
And so the days pass; and we go to London. Sometimes I have thought that it will be better when we get there. At least, she will not be there. How can she, with her husband gnashing his teeth in lonely discomfiture at his exasperated creditors, and receiptless bills, in sultry St. Thomas? But, somehow, she is. What good Samaritan takes out his twopence and pays for her little apartment, for her stacks of cut flowers, for her brougham and her opera-boxes, is no concern of mine. But, somehow, there always are good Samaritans in those cases; and, let alone Samaritans, there are no priests or Levites stonyhearted enough to pass by these dear, little, lovely things on the other side.
We go out a good deal, Roger and I, and everywhere he accompanies me. It bores him infinitely, though he does not say so. One night, we are at the play. It is the Prince of Wales's, the one theatre where one may enjoy a pleasant certainty of being rationally amused, of being free from the otherwise universal dominion of Limelight and Legs. The little house is very full; it always is. Some of the royalties are here, laughing "à gorge déployée!" I have been laughing, too; laughing in my old fashion; not in Mrs. Zéphine's little rippling way, but with the thorough-paced, unconventional violence with which I used to reward the homely sallies of Bobby and the Brat. I am laughing still, though the curtain has fallen between the acts, and the orchestra are fiddling gayly away, and the turned-up gas making everybody look pale. My opera-glasses are in my hand, and I am turning them slowly round the house, making out acquaintances in the stalls, prying into the secrets of the boxes, examining the well-known features of my future king.
Suddenly my smile dies away, and the glasses drop from my trembling hands into my lap. Who is it that has just entered, and is slipping across the intervening people in the stalls to his own seat, one of the few that have hitherto remained vacant beneath us? Can I help recognizing the close-shorn, cameo-like beauty—to me no beauty; to me deformity and ugliness—of the dark face that for months I daily saw by my fireside? Can there be two Musgraves? No! it is he! yes, he! though now there is on his features none of the baffled passion, none of the wrathful malignity, which they always wear in my memory, as they wore in the February dusk of Brindley Wood. Now, in their handsome serenity, they wear only the look of subdued sadness that a male Briton always assumes when he takes his pleasure. Do you remember what Goldsmith says?—"When I see an Englishman laugh, I fancy I rather see him hunting after joy than having caught it."
As soon as my eyes have fallen upon, and certainly recognized him, by a double impulse I draw back behind the curtain of the box, and look at Roger. He, too, has seen him; I can tell it in an instant by his face, and by the expression of his eyes, as they meet mine. I try to look back unflinchingly, indifferently, at him. I would give ten years of my life for an unmoved complexion, but it is no use. Struggle as I will against it, I feel that rush, that torrent of vivid scarlet, that, retiring, leaves me as white as my gown. Oh! it is hard, is not it, that the lying changefulness of a deceitful skin should have power to work me such hurt?
"Are you faint?" Roger asks, bending toward me, and speaking in a low and icy voice; "shall I get you a glass of water?"
"No, thank you!" I reply, resolutely, and with no hesitation or stammer in my tone, "I am not at all faint."