Seeing that she is resolute, he ceases trying to dissuade her. In the small dark hall, old Luath is lying on the rug; seeing Esther enter, he raises himself quickly, and goes to meet her, with heavy tail wagging and affectionate eyes, on which age is written in blue dimness. Now that the master's sister has come home, he is sure that the master cannot be far behind. He is waiting for him, waiting to walk round the farm; he has been waiting this long time, thinking that he has gone upon a journey; and so he has. But oh! Luath, it is a journey on which man may take neither horse nor dog, neither wife, nor sister, nor friend; a journey on which some man, woman, or child is setting off every minute that beats; and whence no explorers return, with maps and charts, and wondrous tales, to vaunt themselves of their exploits, and be extolled and praised as benefactors to their race. Let us hope that it is because they find that country most pleasant that they come not again. In the drawing-room a canary is shrilling his loud, sharp song: they have thrown a shawl over his cage to keep him quiet; but through the shawl the sun pierces, and the bird's keen clear jubilation goes up to meet it. How can he sing so very gaily now Jack is dead? At the room-door they pause.

"Don't come in! I'd rather have him to myself, please," Esther says, in a steady whisper.

"Promise not to kiss him, Essie!" Brandon rejoins, very earnestly; also in a whisper, "We cannot spare you too."

She takes no notice of his request, but, opening the door gently, enters the chamber, where the king of kings, and lord of lords, almighty Death—before whom we all grovelling do unwilling obeisance—is holding one of his myriad courts. It is but a small, slightly furnished room in which he is holding this one, but that concerns him but little. His majesty is so great that he can afford to dispense with the adventitious adjuncts of pomp and circumstance. Without his crown and sceptre, without his courtiers—Plague, Pestilence, and Famine—he is still very king and emperor.

The window is open, but the white curtains drawn—

"While through the lattice ivy shadows creep."

On the table stand physic-bottles—puny foils with which we fence with death—and an open Bible, out of which Brandon, with shaking voice, and a weak, dying hand held in his strong tender one, read the old comfortable words that have soothed many a transit, to the young traveller who was setting out meekly, and not fearfully, in the autumn morning. Over the bed spreads a white sheet, and beneath it a formless form!

Can that be Jack? Can that be Jack, lying still and idle in the bright midday?—Jack, to whom the shelter of a house was ever irksome, who was up and about at cock-crow, to whom all weathers were the same, and the bracing wind blowing about the heathery hills the very breath of his nostrils? A feeling of incredulity steals over her. She walks to the bed and turns down the sheet from the face, and the incredulity deepens into incredulous awe. Oh, ye liars! all ye that say that sleep and death are alike! what kinship is there between the pliant relaxer of soft limbs, the light brief slumber, that, at any trivial noise, a trumpeting gnat or distant calling voice, flies and is dissolved, and the grave stiff whiteness of that profoundest rest that no thousand booming cannons, no rock-rending earthquake, no earth-riving thunderbolt can break? It is an insult to that strong narcotic to liken any other repose to that he gives. They have crossed the young fellow's hands upon his unheaving breast, meekly, as the hands of one that prayeth; and laid sprigs of grey-flowered rosemary in them. She looks at him steadfastly, a great, awful amazement in her dilated eyes. Is this the boy that whistled "I paddle my own canoe"—whose step, glad and noisy, echoed about the stairs?—the boy that sat and smoked at the study window, with her fond head resting on his young slight shoulder?—the boy that was worried about failing crops and barren land?—the boy whose laugh had a sincerer ring in it than any one else's, who made so many jokes, and had such a light heart? Can this be he—this white, awful, beautiful statue? Was ever crowned king, in purple and minever, half so majestical as he, as he lies on his narrow bed in the scant poor room, with that serene stern smile that only dead mouths wear on his solemn changed face?—that smile that seems to say, "I have overcome! I know!"

Esther's love for Jack is great as love can be—greater than Jonathan's for David, greater than David's for Absalom; and this pale, prone figure is unearthly fair and grand; but can she connect the two ideas? What have they to say to one another? Can she realise that if this form be not her brother, neither will she find him again on the earth's face, though she seek him carefully with tears. For one instant it comes home to her; for one instant light darts into her soul—light keen and cruel as the forked lightning flash that, on some mirk night, glares blinding bright into a dark room, illumining every object as with the furnace-fires of hell! She sinks on her trembling knees by the bedside, and says, with dumb, heart-wrung entreaty—"God! God! give him back to me, or let me go where he is."

But the great Lord that said once, "Lazarus, come forth!" has said "Come forth!" to never another since him. "Lie thou still, till I call thee!" He says; and none durst move hand or foot. But since he cannot come to her, why should not she go to him? Has the disease that slew him spent all its force on that one slight frame? Is not there enough of it left to kill her too? It was Juliet's thought when she spake reproachingly to her dead Romeo, as she looked into the empty poison-cup—