It has snowed all day; an immense white monotony is over all the land. The clouds that piled themselves in sulky threatening last night behind the Welsh hills, and many others like them, have to-day fulfilled their threats, and have been, through all the daylight hours, emptying their flaky load on the patient earth. It is as if a huge white bird had been shaking his pinions somewhere, high up in the air—shaking down millions of little down feathers. Rain always seems in earnest, snow in play—with such delicate leisureliness does it saunter down. The rushing train, that bears Esther to her new distant life, is topped like any twelfth-night cake; so are the wayside stations; so are the houses in the smoky towns; so are the men, sparsely walking about on the country roads; so are the engine drivers and stokers; so are the sheep in the fields.
Miss Craven has been sitting all day long in the narrow enceinte of a railway carriage, between the two close-shut, snow-blinded windows—sitting opposite a courteous warrior, who, travelling with all the luxuriousness which his sex think indispensable, is magnanimous enough to share his buffalo-robe and foot-warmer with her. A tête-à-tête of so many consecutive hours with a man would, under any other circumstances than a railway journey, have produced an intimacy that would last a life-time; but now, all the result of it is a couple of bows on the platform at Paddington—a look of interested curiosity after his late companion's retreating figure, as she hurries herself and her small properties into a filthy four-wheeler, on the part of the warrior, and total oblivion on the part of Esther. Since that time she has traversed London in her dilapidated shambling growler, she has had awful misgiving that the "cabby," with the villany that all women ascribe to all "cabbies," is purposely taking her in a wrong direction—is bearing her away to some dark, policeless slum, there to be robbed and murdered. She has reflected, with cold shivers of terror, as to what would be the wisest course to pursue, supposing such to be the case. Should she look silently out of window till she caught sight of the friendly helmet and tight frock-coat of some delivering "Bobby," and then scream? Should she open the door and jump out on the snowy pavement?
While still undecided, her cab stops, and—all mean back-streets and sorry short-cuts being safely passed—deposits her and her box, bag, and umbrella, beneath the Shoreditch lamps and among the Shoreditch porters. Then an hour's waiting in the crowded general waiting-room, where all the chairs are occupied by fat men, none of whom make a movement towards vacating theirs in favour of the slender weary woman, who, with crape veil thrown back from her sad child-face, is holding her little numb hands over the fire, trying vainly to bring them back to life. Then more train; then a three-miles' drive in a fly, up hill and down dale, along snowy country lanes.
And now her journey is ended: the fly has stopped at the door of a great, vague, snow-whitened bulk, that she takes upon trust as Blessington Court. The driver, having rung the bell, now stands banging his arms, each one against the opposite shoulder, in the rough endeavour to restore circulation. The servants are too comfortable—the butler over his mulled port in the housekeeper's room, and the footmen over their mulled beer in the servants' hall—to be in any hurry to attend to the summons. At length, after five minutes' waiting, a sound of withdrawing bolts and turning keys makes itself heard; the heavy door swings inward, and a footman appears in the aperture, blinking disgustedly at the snow, which drives full into his eyes. Esther immediately descends, and enters with the abrupt haste characteristic of extreme nervousness.
"Will you pay him, please?" she says, with a certain flurry of manner, to the servant. "I—I don't know how much I ought to give him—how many miles it is."
While the man complies with her request, she stands in the huge stone-floored hall, lit only by firelight, shivering with cold and fear. She peers up at the ceiling—of which, by-the-bye, there is none, as the hall runs up to the top of the house; at the walls, from which great life-size figures, dimly naked, glimmer uncomfortably cold. Anxious doubts assail her as to whether there are any rules of which she is ignorant for a "companion's" behaviour and deportment; she is not aware that she has ever seen one of those curious animals hitherto in the course of her life. Ought they to make a reverence on entering a room? Ought they to say "Sir" or "Ma'am" to whoever they address? Ought they to laugh at everybody's jokes?—not sit down unless given leave so to do, and not speak unless spoken to? So wondering, she tremblingly follows the footman as he opens the door of an adjoining apartment, and, announcing "Miss Craven," retires joyfully to the society of his compeers and his beer.
The apartment in which Esther is thus left stranded is as large as the hall that she has just quitted. It seems to her oppressively immense—quite a long walk from the door to the inhabited portion. A very big roasting fire burns on the hearth: and right in front of it, in the very glare of its hot red eyes, sits a very old man, doubled together in an armchair—one hand in his breast, and his aged head sunk upon it, apparently fast asleep. An old lady, wrapped up in a shawl, reposes in another easy-chair, with her eyes likewise closed. A lamp with a green shade burns faintly on a centre table, and beyond lamp and table sits a third person, hidden by the lamp-shade from Esther's eyes.
"Are they all asleep?" thinks the poor girl, advancing with gentle, hesitating steps. "They seem to be. How can I wake them?—or would it be disrespectful?"
While she so speculates, the third person rises and comes forward. "How do you do, Miss Craven? You must have had a cold journey, I'm afraid?" says a bland, unforgotten voice.