"Yes."
"The carriage is here for you, 'm. Would you please to show me which is your maid and luggage?"
"I have no maid, and there's my luggage," responds Esther, pointing with one grimy kid finger to a small trunk standing on its head, and looking half inclined to burst asunder in the midst. She is ashamed of her destitute condition, and ashamed of herself for being ashamed of it.
"Will it change into a pumpkin?" thinks Miss Craven, as she steps into a large yellow barouche, with two fidgety, showy greys, that is waiting for her at the station gate. After the yammering of the baby, the dull rumble-rumble of the train, how delicious! "If it were only my own," she says to herself, throwing herself back with a consequential feeling on the soft cushions, as some country people pass and pull their forelocks to the well-known liveries.
"Well, odder things have happened! But for Bob! The Prince fell in love with Cinderella at first sight; why should not Prince Gerard with me? I dare say I'm quite as good-looking as Cinderella was!"
As they pass Lady Gerard's model school, twenty little charity girls come trooping out in the uniformity of their cotton frock and straw bonnet livery, and drop twenty bob courtesies to Esther, who feels as the man in the "Arabian Nights" did who woke and found himself Sultan. Labouring men go stumping heavily home, with their tools over their shoulders and their heads bent earthwards, as is always the case with the tillers of the soil, who must—oh, hard necessity!—be ever looking down.
Park palings, through which the strong brake fern is thrusting itself, slide past; then a red lodge, picked out with blue bricks, where an obsequious old woman rushes out from the washtub, with hands all soapsuds, to open the gates; then a grassy, knolly park; then a great red house, likewise picked out with blue bricks; then stones clattering under an echoing portico; then the pumpkin stops, and Cinderella descends.
"Miss Craven!" announces the butler, opening a tall door; and Miss Craven, plucking up heart, marches into a high, dark library, lined with high, dark books—marches in, looking very much like a chimney sweep. Dust lies in ridges on her once white bonnet; dust, instead of belladonna, in streaks under her eyes; dust on the parting of her hair, on her eyelashes, up her nose (on which there is also, though, happily for her, she does not know it, a large smut), and a double portion of dust on the great, faded, yellow roses, to which she cleaves with as much pertinacity as the idiot in "Excelsior" clave to that senseless banner which he was so determined to run up hill with.
As she enters, a goddess rises like an exhalation (as Pandemonium did), and comes floating on lilac clouds towards her. This is as things seem to her; in reality, a large, fair, young woman comes forward in a long-tailed mauve muslin. Simultaneously a man's two legs are seen disappearing over the window-sill.
"How do you do?" says the goddess, sweetly. "I think the train must have been rather late; we expected you half an hour ago."