There can be little doubt, however, that the apparent brightness of this lunar crater, or rather of its summit, is due to some peculiar quality in the surface, which may perhaps be covered by some crystalline or vitreous matter poured out in the far distant time when the crater was an active one. Prof. Shaler, who examined the crater when it was illuminated only by earthshine, with the fine 15-inch telescope of the Harvard Observatory (Cambridge U.S.), says that he has been able to recognise nearly all the craters over 15 miles in diameter in the dark part. 'There are several degrees of brightness,' he says, 'observable in the different objects which shine out by the earth-light. This fact probably explains the greater part of the perplexing statements concerning the illumination of certain craters. It certainly accounts for the volcanic activity which has so often been supposed to be manifested by Aristarchus. Under the illumination by the earth-light this is by far the brightest object on the dark part of the moon's face, and is visible much longer and with poorer glasses than any other object there.'
Here my record of astronomical myths must be brought to a close. It will be noticed that in every instance either the illusion has affected the actual observations of eminent and skilful astronomers, or has caused such astronomers to put faith for a while in illusory observations. Had I cared to include the mistakes which have been made by or have misled observers of less experience, I could have filled many sheets for each page of the present article. But it has seemed to me more instructive to show how error may affect the observations even of the most careful and deservedly eminent astronomers, how even the most cautious may be for a time misled by the mistakes of inferior observers, especially when the fact supposed to have been observed accords with preconceived opinions.
XII.
THE ORIGIN OF THE CONSTELLATION-FIGURES.
Although the strange figures which astronomers still allow to straggle over their star maps no longer have any real scientific interest, they still possess a certain charm, not only for the student of astronomy, but for many who care little or nothing about astronomy as a science. When I was giving a course of twelve lectures in Boston, America, a person of considerable culture said to me, 'I wish you would lecture about the constellations; I care little about the sun and moon and the planets, and not much more about comets; but I have always felt great interest in the Bears and Lions, the Chained and Chaired Ladies, King Cepheus and the Rescuer Perseus, Orion, Ophiuchus, Hercules, and the rest of the mythical and fanciful beings with which the old astronomers peopled the heavens. I say with Carlyle, "Why does not some one teach me the constellations, and make me at home in the starry heavens, which are always overhead, and which I don't half know to this day."' We may notice, too, that the poets by almost unanimous consent have recognised the poetical aspect of the constellations, while they have found little to say about subjects which belong especially to astronomy as a science. Milton has indeed made an Archangel reason (not unskilfully for Milton's day) about the Ptolemaic and Copernican systems, while Tennyson makes frequent reference to astronomical theories. 'There sinks the nebulous star we call the Sun, if that hypothesis of theirs be sound,' said Ida; but she said no more, save 'let us down and rest,' as though the subject were wearisome to her. Again, in the Palace of Art the soul of the poet having built herself that 'great house so royal, rich, and wide,' thither—
... when all the deep unsounded skies
Shuddered with silent stars, she clomb,
And as with optic glasses her keen eyes
Pierced through the mystic dome,
Regions of lucid matter taking forms,
Brushes of fire, hazy gleams,
Clusters and beds of worlds and beelike swarms
Of suns, and starry streams:
She saw the snowy poles of moonless Mars,
That marvellous round of milky light
Below Orion, and those double stars
Whereof the one more bright
Is circled by the other.
But the poet's soul so wearied of these astronomical researches that the beautiful lines I have quoted disappeared (more's the pity) from the second and all later editions. Such exceptions, indeed, prove the rule. Poets have been chary in referring to astronomical researches and results, full though these have been of unspeakable poetry; while from the days of Homer to those of Tennyson, the constellations which 'garland the heavens' have always been favourite subjects of poetic imagery.
It is not my present purpose, however, to discuss the poetic aspect of the constellations. I propose to inquire how these singular figures first found their way to the heavens, and, so far as facts are available for the purpose, to determine the history and antiquity of some of the more celebrated constellations.
Long before astronomy had any existence as a science men watched the stars with wonder and reverence. Those orbs, seemingly countless—which bespangle the dark robe of night—have a charm and beauty of their own apart from the significance with which the science of astronomy has invested them. The least fanciful mind is led to recognise on the celestial concave the emblems of terrestrial objects, pictured with more or less distinctness among the mysterious star-groupings. We can imagine that long before the importance of the study of the stars was recognised, men had begun to associate with certain star-groups the names of familiar objects animate or inanimate. The flocks and herds which the earliest observers of the heavens tended would suggest names for certain sets of stars, and thus the Bull, the Ram, the Kids, would appear in the heavens. Other groups would remind those early observers of the animals from whom they had to guard their flocks, or of the animals to whose vigilance they trusted for protection, and thus the Bear, the Lion, and the Dogs would find their place among the stars. The figures of men and horses, and of birds and fishes, would naturally enough be recognised, nor would either the implements of husbandry, or the weapons by which the huntsman secured his prey, remain unrepresented among the star-groupings. And lastly, the altar on which the first-fruits of harvest and vintage were presented, or the flesh of lambs and goats consumed, would be figured among the innumerable combinations which a fanciful eye can recognise among the orbs of heaven.