Suppose a sheet of paper so prepared as to be a conductor of electricity, and that a message is written on the paper with some non-conducting substance for ink. If that sheet were passed between the knobs at a (the handle H being pressed down by a spring), whilst simultaneously a sheet of Bain’s chemically prepared paper were passed athwart the steel pointer at the receiving station, there would be traced across the last-named paper a blue line, which would be broken at parts corresponding to those on the other paper where the non-conducting ink interrupted the current. Suppose the process repeated, each paper being slightly shifted so that the line traced across either would be parallel and very close to the former, but precisely corresponding as respects the position of its length. Then this line, also, on the recording paper will be broken at parts corresponding to those in which the line across the transmitting paper meets the writing. If line after line be drawn in this way till the entire breadth of the transmitting paper has been crossed by close parallel lines, the entire breadth of the receiving paper will be covered by closely marked blue lines except where the writing has broken the contact. Thus a negative facsimile of the writing will be found in the manner indicated in Figs. 8 and 9.[32] In reality, in processes of this kind, the papers (unlike the ribbons on Bain’s telegraph) are not carried across in the way I have imagined, but are swept by successive strokes of a movable pointer, along which the current flows; but the principle is the same.

Fig. 8.

Fig. 9.

It is essential, in such a process as I have described, first, that the recording sheet should be carried athwart the pointer which conveys the marking current (or the pointer carried across the recording sheet) in precise accordance with the motion of the transmitting sheet athwart the wire or style which conveys the current to the long wire between the stations (or of this style across the transmitting sheet). The recording sheet and the transmitting sheet must also be shifted between each stroke by an equal amount. The latter point, is easily secured; the former is secured by causing the mechanism which gives the transmitting style its successive strokes to make and break circuit, by which a temporary magnet at the receiving station is magnetized and demagnetized; by the action of this magnet the recording pointer is caused to start on its motion athwart the receiving sheet, and moving uniformly it completes its thwart stroke at the same instant as the transmitting style.

Caselli’s pantelegraph admirably effects the transmission of facsimiles. The transmitting style is carried by the motion of a heavy pendulum in an arc of constant range over a cylindrical surface on which the paper containing the message, writing, or picture, is spread. As the swing of the pendulum begins, a similar pendulum at the receiving station begins its swing; the same break of circuit which (by demagnetizing a temporary magnet) releases one, releases the other also. The latter swings in an arc of precisely the same range, and carries a precisely similar style over a similar cylindrical surface on which is placed the prepared receiving paper. In fact, the same pendulum at either station is used for transmitting and for receiving facsimiles. Nay, not only so, but each pendulum, as it swings, serves in the work both of transmitting and recording facsimiles. As it swings one way, it travels along a line over each of two messages or drawings, while the other pendulum in its synchronous swing traces a corresponding line over each of two receiving sheets; and as it swings the other way, it traces a line on each of two receiving sheets, corresponding to the lines along which the transmitting style of the other is passing along two messages or drawings. Such, at least, is the way in which the instrument works in busy times. It can, of course, send a message, or two messages, without receiving any.[33]

In Caselli’s pantelegraph matters are so arranged that instead of a negative facsimile, like [Fig. 9], a true facsimile is obtained in all respects except that the letters and figures are made by closely set dark lines instead of being dark throughout as in the message. The transmitting paper is conducting and the ink non-conducting, as in Bakewell’s original arrangement; but instead of the conducting paper completing the circuit for the distant station, it completes a short home circuit (so to speak) along which the current travels without entering on the distant circuit When the non-conducting ink breaks the short circuit, the current travels in the long circuit through the recording pointer at the receiving station; and a mark is thus made corresponding to the inked part of the transmitting sheet instead of the blank part, as in the older plan.

The following passage from Guillemin’s “Application of the Physical Forces” indicates the effectiveness of Caselli’s pantelegraph not only as respects the character of the message it conveys, but as to rapidity of transmission. (I alter the measures from the metric to our usual system of notation.[34]) “Nothing is simpler than the writing of the pantelegraph. The message when written is placed on the surface of the transmitting cylinder. The clerk makes the warning signals, and then sets the pendulum going. The transmission of the message is accomplished automatically, without the clerk having any work to do, and consequently without [his] being obliged to acquire any special knowledge. Since two despatches may be sent at the same time—and since shorthand may be used—the rapidity of transmission may be considerable.” “The long pendulum of Caselli’s telegraph,” says M. Quet, “generally performs about forty oscillations a minute, and the styles trace forty broken lines, separated from each other by less than the hundredth part of an inch. In one minute the lines described by the style have ranged over a breadth of more than half an inch, and in twenty minutes of nearly 10½ inches. As we can give the lines a length of 4¼ inches, it follows that in twenty minutes Caselli’s apparatus furnishes the facsimile of the writing or drawing traced on a metallized plate 4¼ inches broad by 10½ inches long. For clearness of reproduction, the original writing must be very legible and in large characters.” “Since 1865 the line from Paris to Lyons and Marseilles has been open to the public for the transmission of messages by this truly marvellous system.”

It will easily be seen that Caselli’s method is capable of many important uses besides the transmission of facsimiles of handwriting. For instance, by means of it a portrait of some person who is to be identified—whether fraudulent absconder, or escaped prisoner or lunatic, or wife who has eloped from her husband, or husband who has deserted his wife, or missing child, and so on—can be sent in a few minutes to a distant city where the missing person is likely to be. All that is necessary is that from a photograph or other portrait an artist employed for the purpose at the transmitting station should, in bold and heavy lines, sketch the lineaments of the missing person on one of the prepared sheets, as in [Fig. 10]. The portrait at the receiving station will appear as in [Fig. 11], and if necessary an artist at this station can darken the lines or in other ways improve the picture without altering the likeness.