At first Max had been greatly piqued at the slight interest which Johnny seemed to feel in the fate of his heroes. The fact was, that he had become so familiar with that department of literature, and was so accustomed to see the hero come safely out of the most horrible and unheard-of dangers, that he regarded it as quite a matter of course, and there was now no such thing as alarming him for his safety. It was to no purpose that Max surrounded his heroes with fierce and numerous foes; Johnny took it quite coolly, expecting him to cut his way out as a hero should. It was in vain to cover him with wounds—a hero’s wounds are never mortal. Cast him away upon an iron-bound coast in the midst of a hurricane—Johnny knew that one would escape: drown a hero! who ever heard of such a thing! Max at length resented this indifference, by suddenly becoming quite tragical, and actually despatching two or three heroes with very little ceremony. The first of these unfortunate gentlemen perished, if I remember correctly, by “a tremendous backstroke of a two-handed, double-edged sword, that severed his head from his body.” At this sentence, which seemed pretty decisive, Johnny was somewhat staggered, but, immediately recovering himself, he bade Max “go on,” expecting, I verily believe, that it would turn out that the head was not in fact quite cut off or that if it was, it would, like that of the physician Dubin, in the Arabian Nights, be again set upon the shoulders, and life restored by the healing virtue of some potent medicament. Great was his astonishment and consternation, on being made at last to comprehend, that the hero was actually dead; which fact he did not, however, appear fully to realise, until Max, to put the matter beyond doubt, buried him with great funereal pomp and ceremony, and erected over his remains a splendid monument, with an inscription recording his exploits and his valour. This method of proceeding, Max judiciously followed up, by giving a tragical termination to his romances, often enough to keep Johnny reminded that his heroes at any rate were mortal.
In addition to these resources for our evenings, we have the semi-weekly meetings of “The South-Sea Lyceum,” which was organised soon after the commencement of the rainy season, and of which Arthur is the president having been twice unanimously elected to that dignified and responsible office. Recitations or declamations, essays, and debates upon questions previously selected, constitute the regular exercises at these meetings. Browne possesses quite a talent for dramatic recitation, and he has Shakespeare almost by heart, which circumstances, early on the voyage out, earned for him the nickname of “Shaks.” At nearly every session of the “Lyceum,” he is either among the regular appointees for a recitation, or is called out by acclamation for a voluntary one. Max shines chiefly in debate, in which he is always ready to take either side, of any question. Indeed he sometimes speaks on both sides of the same question, and displays his ingenuity by refuting his own arguments.
These meetings have thus far been exceedingly pleasant, and on many a night when the driving rain was beating upon roof and window, and the wind was howling dismally around our solitary cabin, all has seemed bright and cheerful within, as Max and Morton carried on a spirited debate, or Browne declaimed Wolsey’s soliloquy, or “To be, or not to be, that is the question.”
The minutes of one meeting of the Lyceum may answer as a sample of their entertainments:—
Recitation, (by Johnny), Lines supposed to have been written by Alexander Selkirk, “I am monarch of all I survey,” etcetera.
Recitation, (by Browne), Clarence’s Dream.
Essay, (by the President), on the traditions of a Deluge, to be found among the Polynesian tribes.
Essay, (by myself), The theory of the formation and structure of Coral Islands.
Debate. Question: Is childhood the happiest period of human life?
Affirmative maintained by Max, negative by Morton.