"You are quite right, Giacinta," returned Professor Rossano. "When I think of the intellects—God-given—that have been warped and crushed in the name of God, it makes me fly into a rage. Yes, it is certainly better to talk of something else. All the same, Monsignor Lelli understands what I mean. If he did not, he would still be at the Vatican, and not at Montefiano."
"I am particularly glad that Don Agostino understands," interposed Silvio.
"You!" exclaimed the professor, witheringly. "I have told you more than once that you are a pumpkin-head. A fine thing, truly, to make my old friend Monsignor Lelli a confidant of your love affairs! Not but what you appear to have confided them to him at a tolerably early stage. It is usually at a later stage that a priest hears of a love affair—is it not so, caro monsignore?" he added, with a twinkle of amusement in his brown eyes.
Don Agostino smiled. "Yes," he replied, "at a much later stage;" and then he paused and glanced across the table at Giacinta.
The professor saw the look and misinterpreted it. "Oh," he observed, carelessly, "my daughter knows all about Silvio's folly. But I do not wish to hear anything more about that. You have asked me certain questions about Silvio, and I have answered them, and that is enough. If you choose to help the boy in making an idiot of himself, my dear friend, I suppose you must do so, but I do not wish to know anything of the matter. There will be disturbances, and I am too busy for disturbances. I am preparing my work on criminal responsibility. It will be followed by another volume on responsibility in mental diseases. By-the-way, if I had the time I would study Silvio's case. It might be useful to me for my second volume. No; Giacinta and I are decidedly too busy to be troubled with Silvio's love affairs. Giacinta, you must know, acts as my secretary and copies out my manuscripts."
Don Agostino raised his eyebrows slightly.
"All of them?" he asked.
"Certainly, all of them. Her handwriting is exceedingly clear, whereas mine is frequently almost illegible. If it were not for Giacinta, I should have to employ a typewriter."
Don Agostino said nothing, but he glanced again at the girl, and wondered how much she understood of the professor's physiological arguments, and of the examples upon which many of them were based. The few minutes' conversation he had had alone with Professor Rossano had speedily convinced him that the professor was both proud and fond of his son. He had given Silvio the character which Don Agostino, a practised reader of countenances and the natures those countenances reflected, had felt sure would be given. At the same time, the professor had expressed his opinion of his son's passion for Donna Bianca Acorari in very decided terms, and had upbraided his old friend for encouraging the boy in his folly. Don Agostino had not explained his motives for espousing Silvio's cause. He had learned all he wanted to know, and was satisfied that he had gauged Silvio's nature and character correctly. He felt, indeed, an unconquerable aversion from explaining the motives which prompted him to interest himself in a love affair between two headstrong young people. Everybody knew why he had left the Vatican; but very few people knew why, some four-and-twenty years ago, a good-looking young fellow, by name Agostino Lelli, became a priest. Most of us have an inner recess in our hearts—unless we are of that fortunate number who have no hearts—a recess which we shrink from unlocking as we would shrink from desecrating a tomb over which we are ever laying fresh flowers. Something which he could scarcely define had impelled Don Agostino to allow Silvio Rossano to glance into his jealously guarded shrine. He felt as though he had received some message from his beloved dead that the boy had a right to do so. He was convinced, moreover, in his own mind that the living spirit of the woman he had loved was urging him to save her child from the unhappiness that had fallen upon herself. Perhaps he had brooded too long and too deeply over the strange change of coincidences which had brought him and Silvio together—at the strange similarity between his own life's story and that of his old friend Professor Rossano's son, between the dead Bianca, Princess of Montefiano, and the child who bore her name and bodily likeness. In any case, it seemed to Don Agostino as though he were living over again those far-off years in Venice; as though he saw in Silvio Rossano his own youth, with all its hopes and all its joys, and yet with the same dark shadows—shadows that only youth itself had prevented him from realizing—threatening to overwhelm and destroy both.
"The boy is in earnest," he had said to Professor Rossano during their conversation together before setting out for the Castello di Costantino. "Cannot you see that he is in earnest?"