Apparently, however, Don Agostino did not deem it necessary to know the princess or Donna Bianca personally. Possibly he considered that so long as his formal letters to the princess on behalf of his flock in times of distress or sickness met with a satisfactory response, there was no reason to obtrude himself individually on their notice. This, at least, was the conclusion that the agent and the official classes of Montefiano arrived at. As to the humbler members of Don Agostino's flock, they did not trouble themselves to draw any conclusions except the most satisfactory one involved in the knowledge that, as the Madonna and the saints stood between them and Domeneddio without their being personally acquainted with him, so Don Agostino stood between them and the excellencies in Rome, who, of course, could not spare the time to visit so distant a place as Montefiano.

II

Don Agostino, his office completed, closed his breviary and stood gazing across the plain below to where Rome lay. On a clear day, and almost always in the early mornings in summer, the cupola of St. Peter's could be seen from Montefiano, hung, as it were, midway between earth and heaven; but now only a low-lying curtain of haze marked the position of the city. Down in the valley, winding between low cliffs clothed with brushwood and stunted oaks, the waters of the Tiber flashed in the slanting sun-rays, and the bold outline of Soracte rose in the blue distance, like an island floating upon a summer sea.

And Don Agostino stood and gazed, and as he did so he thought of the restless life forever seething in the far-off city he knew so well—the busy brains that were working, calculating, intriguing in the shadow of that mighty dome which bore the emblem of self-sacrifice and humility on its summit, and of all the good and all the evil that was being wrought beneath that purple patch of mist that hid—Rome.

None knew the good and the evil better than he, and the mysterious way in which the one sprang from the other in a never-ending circle, as it had sprung now for wellnigh twenty centuries—ever since the old gods began to wear halos and to be called saints.

Don Agostino, or, to give him his proper name and ecclesiastical rank, Monsignor Lelli, had been a canon of the basilica of Santa Maria Maggiore, in Rome, before he fell into disgrace at the Vatican.

Notwithstanding the gossip which had been rife concerning the reasons for his exile from Rome to Montefiano, private morals had had nothing to do with the matter. For several years he had filled a post of some confidence at the Vatican—a post, like that held by Judas Iscariot, involving considerable financial responsibility.

Judas Iscariot, however, had been more fortunate than Monsignor Lelli, inasmuch as he was attached to the financial service of Christ, and not to that of Christ's vicar.

To make a long story short, certain loans, advanced for political purposes, though private social interests were not extraneous to the transactions, lightened the money-bags to an unforeseen extent, and the securities which Monsignor Lelli held in their stead soon proved to be little better than waste paper. It was known that Monsignor Lelli had acted under protest, and, moreover, that he had obeyed instructions which he had no choice but to obey.

The Vatican, however, differs in no way from any other organization to carry on which the rules of discipline must be strictly maintained; and when a superior officer blunders, a subordinate must, if possible, be found to bear the blame. In this case Monsignor Lelli was manifestly the fit and proper scape-goat; and here all comparison with Judas Iscariot ended, for he had walked off with his burden to Montefiano without uttering so much as a protesting bleat.