CHARLES. Ay, ay, these are done in the true spirit of portrait-painting; no volontiere grace or expression. Not like the works of your modern Raphaels, who give you the strongest resemblance, yet contrive to make your portrait independent of you; so that you may sink the original and not hurt the picture. No, no; the merit of these is the inveterate likeness—all stiff and awkward as the originals, and like nothing in human nature besides.
SIR OLIVER. Ah! we shall never see such figures of men again.
CHARLES. I hope not. Well, you see, Master Premium, what a domestic character I am; here I sit of an evening surrounded by my family. But come, get to your pulpit, Mr. Auctioneer; here's an old gouty chair of my grandfather's will answer the purpose.
CARELESS. Ay, ay, this will do. But, Charles, I haven't a hammer; and what's an auctioneer without his hammer?
CHARLES. Egad, that's true. What parchment have we here? Oh, our genealogy in full. [Taking pedigree down.] Here, Careless, you shall have no common bit of mahogany, here's the family tree for you, you rogue! This shall be your hammer, and now you may knock down my ancestors with their own pedigree.
SIR OLIVER. What an unnatural rogue!—an ex post facto parricide! [Aside.]
CARELESS. Yes, yes, here's a list of your generation indeed;—faith, Charles, this is the most convenient thing you could have found for the business, for 'twill not only serve as a hammer, but a catalogue into the bargain. Come, begin—A-going, a-going, a-going!
CHARLES. Bravo, Careless! Well, here's my great uncle, Sir Richard Ravelin, a marvellous good general in his day, I assure you. He served in all the Duke of Marlborough's wars, and got that cut over his eye at the battle of Malplaquet. What say you, Mr. Premium? look at him—there's a hero! not cut out of his feathers, as your modern clipped captains are, but enveloped in wig and regimentals, as a general should be. What do you bid?
SIR OLIVER. [Aside to Moses.] Bid him speak.
MOSES. Mr. Premium would have you speak.