Webster, Duchess of Malfi, act iii. sc. 2.

The politician, whose very essence lies in this, that he is a person ready to do anything that he apprehends for his advantage, must first of all be sure to put himself in a state of liberty, as free and large as his principles, and so to provide elbow-room enough for his conscience to lay about it, and have its full play in.—South, Sermons, 1744, vol. i. p. 324.

Pomp, }
Pompous,
Pompously.

‘Pomp’ is one of the many words which Milton employs with a strict classical accuracy, so that he is only to be perfectly understood when we keep in mind that a ‘pomp’ with him is always πομπή, a procession. He is not, however, singular here, as he often is, in the stricter use of a word. It is easy to perceive how ‘pomp’ obtained its wider application. There is no such favourable opportunity for the display of state and magnificence as a procession; this is almost the inevitable form which they take; and thus the word first applied to the most frequent display of these, came afterwards to be transferred to every display. In respect to ‘pompous’ and ‘pompously’ there is something else to note. There is in them always now the suggestion of that which is more in show than in substance, or, at any rate, of a magnificence which, if real, is yet vaingloriously and ostentatiously displayed. But they did not convey, and were not intended to convey, any such impression once.

[Antiochus] also provided a great number of bulls with gilt horns, the which he conducted himself with a goodly pomp and procession to the very gate of the city [ἄχρι τῶν πυλῶν ἐπόμπευσε].—Holland, Plutarch’s Morals, p. 417.

With goddess-like demeanour forth she went,

Not unattended; for on her, as queen,

A pomp of winning Graces waited still.

Milton, Paradise Lost, viii. 59.

The planets in their stations listening stood,