[CHAPTER I
EARLY SCENES]
The heroine of this romantic but perfectly true narrative was born in the year 1773. There was a large tract of extra-parochial land toward the north of the bounds of the parish of Nacton, Suffolk, reaching from Rushmere Heath down to the banks of the beautiful river Orwell. This tract was known by the name of Wolfkettel, and commenced at the Seven Hills, and terminated on the south side of Alneshbourne Priory.
The spot called the Seven Hills, though originally there were sixteen, was, in all probability, the site of the famous battle of Arwell, fought between the Earl of Ulfketel and the Danes, in A.D. 1010. It was a wild waste, and a great part of it to this day remains much in the same state, fit only for sheepwalks or a warren, or as a preserve for game. The tract lying nearest to the Orwell was very early brought into cultivation; and at the time this narrative commences, was famous for the production of the best barley in the county. In a cottage on these lands lived Jonathan Catchpole, an industrious labourer, and father of six children, of whom Margaret was the second daughter, and youngest child but one.
The farm upon which the father and his sons worked was then held by Mr. Denton, who was well known for his famous Suffolk cart-horses—strong bone, short joints, clean legs, stout chests, high crests, light chestnut, with silvery manes, and tails that ought to have swept the ground, but for a barbarous custom of docking them at that period, one of the most insane fashions of the day.
Jonathan Catchpole had a team of these horses to look after, and was the head ploughman on the estate. His boys were engaged in various parts of the farm.
The youngest daughter was made a sort of pet by the rest of the family; and, as the eldest girl was always of a sickly constitution, it fell to the lot of Margaret to carry her father’s and brothers’ meals to them in the field.
Who has not seen the healthy face of childhood in those ever interesting years when activity commences? And what philanthropist, delighting in scenes of genuine simplicity and nature, could fail to admire the ruddy glow of youth, and the elastic step of confidence, with which the young female peasant bounds to meet a parent or a brother, at the welcome hour of noon, bearing the frugal dinner of bread and cheese, or it may sometimes chance to be bread and pork?
The child becomes of some consequence, entrusted with the basket of provision; and, as she stands against the bank of the hedgerow, watching the progressive march of the horses as they come toward her, drawing the plough and turning over the soil, guided as they are by the steady hand of her father, she presents a picture worthy of observation.
On these occasions, Margaret was as punctual to her hour as the sun. On reaching the field she would set her basket down and jump into her father’s arms, and kiss his warm forehead, and receive in return a reward, which even in infancy gave her the utmost delight, viz. a seat upon one of the horses’ backs, and there she would remain until she was taken off by the same hands which placed her there, and gave her the empty basket to carry home.
“May I come in the evening, father?” she used to say, as she looked wistfully round the horizon, to see if any appearance of rain forebode an unfavourable answer; for this request “to come in the evening” contained an imaginative delight, exceeding in its kind the prospect of the fox hunter for a coming run. For Margaret, when she did “come in the evening,$” used to have the privilege of riding home one of the plough-horses.