Illustrations, in the illustrated Quarto only: Vol. I.

1.The Weeper: engraved by W.J. Linton, Esq., after the Author's own Design4
2.Sancta Maria Dolorvm; or the Mother of Sorrows19
3.The Office of the Holy Crosse29
4.The Recommendation43
5.To the Name above every name, the Name of Iesus55
6.The Hymn of Sainte Thomas55
7.The 'irresolute' Locked Heart55
8.In the Holy Nativity of ovr Lord God71
9.In the gloriovs Epiphanie of ovr Lord God.79
10.Head of Satan: drawn and engraved by W.J. Linton, Esq.95
11.Sainte Teresa141
12.Dies iræ, dies illa166
13.Maria Maior, O gloriosa Domina173
14.A second Illustration from the Bodleian copy173
15.The Dead Nightingale: drawn by Mrs. Blackburn, engraved by W.J. Linton, Esq.197

Nos. 2, 3, 4, 5, 6, 7, 8, 9, 11, 12, 13, 14 are reproduced in facsimile from the author's own designs of 1652, by Pouncey of Dorchester, expressly for our edition of Crashaw. Besides the above there are a number of head- and tail-pieces by W.J. Linton, Esq.

PREFACE.


I have at last the pleasure of seeing half-fulfilled a long-cherished wish and intention, by the issue of the present Volume, being Vol. I. of the first really worthy edition of the complete Poetry of Richard Crashaw, while Vol. II. is so well advanced that it may be counted on for Midsummer (Deo favente).

This Volume contains the whole of the previously-published English Poems, with the exception of the Epigrams scattered among the others, which more fittingly find their place in Vol. II., along with the Latin and Greek originals, and our translation of all hitherto untranslated. Here also will be found important, and peculiarly interesting as characteristic, additions of unprinted and inedited poems by Crashaw from Archbishop Sancroft's mss., among the Tanner mss. in the Bodleian. These I have named 'Airelles,' after the little Alpine flowers that are dug out beneath the mountain masses of snow and ice, with abiding touches of beauty and perfume, as though they had been sheltered within walls and glass. The formerly printed Poems have been collated and recollated anxiously with the original and other early and authoritative editions, the results of which are shown in Notes and Illustrations at the close of each poem. Many of the various readings are of rare interest, and collation has revealed successive additions and revisions altogether unrecorded by modern editors. In their places I have pointed out the flagrant carelessness of the last Editor, W.B. Turnbull, Esq., in Smith's 'Library of Old Authors.'