"Even if I were able to accept I'd have to decline your invitation. My name's Sherbrand—I'm your Uncle Alan's son." He settled himself in the saddle and finished before he pulled up the starting-lever. "Understand—I'd no idea who you were until I saw the name on your card. It has been a queer encounter—I can't say a pleasant one. Let me end it by saying 'Good-day!' ..."
Franky's new-found cousin touched the goggled cap and pulled up the starting-lever. With the customary bang and snort, the motor-bicycle leaped away. Margot had uttered a little gasp at the moment of revelation. Now she turned great eyes of dismay on Franky, and withdrew them quickly. For Franky's eyes had become circular and poppy, his mouth tried to shape itself into a whistle, but his expression was merely vacuous. He continued to explode with "Great Snipe!" at intervals, as he and Margot made their way back to more populous avenues, chartered a fortuitously passing taxi, and were driven back via the Porte Dauphine to Spitz's gorgeous caravanserai in the Place Vendôme, when Margot vanished into her own bower, sending her French maid to intimate to Milord that Miladi would take tea alone in that apartment, and did not intend to dine.
Thus Franky, relieved from duty, presently found himself, in company with a cigar, strolling bachelor-fashion through the streets of Paris. No very clear recollection stayed with him of how he spent the afternoon. At one time he found himself with his features glued against the plate-glass window of a celebrated establishment dedicated to the culture and restoration of feminine beauty, contemplating divers gilt wigs on stands—porcelain pots of marvellous unguents, warranted to eliminate wrinkles; sachets of mystic herbs to be immersed in baths; creams guaranteed to impart to the most exhausted skin the velvety freshness of infancy.
Later he strayed into a sunny, green-turfed public garden, full of white statues, sparkling fountains, and municipal seats whereon Burgundian, Dalmatian, and Alsatian wet-nurses dandled or rocked or nourished their infant charges, and bonnes or governesses presided over the gambols of older babies, who played with belled Pierrots, or toy automobiles, or inflated balls of gorgeous hues.
There is nothing profoundly moving in the sight of a stout, beribboned wet-nurse suckling her employer's infant. But into the company of these important hirelings came quite unconsciously a young working-woman in a shabby brown merino skirt and a blouse of white Swiss. Her shining black hair was uncovered to the sunshine. On one arm she carried a bouncing baby, on the other a basket containing cabbages and onions, and a flask of cheap red wine, which receptacle its owner, having taken the other end of the seat Franky occupied, set down between herself and the young man. She was a healthy, plump young woman with too pronounced a moustache for beauty. But when, having methodically turned the baby upside down to rearrange some detail of its scanty dress, she reversed it and bared her breast to the eager mouth, a strange thrill went through Franky. A dimness came before his vision, and it was as though those dimpled hands plucked at his heart. He suffered a sudden revulsion strange in a young man so modern, up-to-date, and beautifully tailored. He knew that he longed for a son most desperately. And the devil of it was—Margot did not.
CHAPTER VII
THE CONSOLATRIX
Thus, Franky got up and moved away, driven by the stinging cloud of thoughts that pursued and battened on him, and presently found himself following a stream of people up a flight of marble steps, and under an imposing portico that ended in a turnstile and a National Collection of Paintings and Sculptures.
Wandering through a maze of long skylighted galleries where the master-works of Modern Art are conserved and cherished, he was to encounter the thought that haunted him in a myriad of images, wrought by the chisel, the brush, the burin, and the graving-tool in marble or bronze, upon canvas or panel, in ivory, or silver, or enamel, or gold.
A sculptured Hagar mourning by the side of her dying Ishmael caught his eye as he entered the first gallery. Farther on, Eve after the Fall lifted the infant Cain to receive the kiss of Adam, homing to his shack of green branches at the end of the labouring day. And a shag-thighed, curly-horned Pan romped with a litter of sturdy bear-cubs, and medallions and panels of childhood were everywhere.