The voice was suave, but it somehow compelled an answer. Franky, with an indistinct remembrance of viva voce examinations awakening in him, cleared his throat and fell back a pace or two.... Well set up and well-bred, well-groomed and well-dressed, his figure, beside that other in the priestly soutane of rusty alpaca, short enough to reveal coarse ribbed stockings of black yarn, and cracked prunella shoes with worn steel buckles, made a contrast sufficiently quaint to provoke a stare of curiosity, had any observer passed just then. But standing together on the beeswaxed floor at the upper end of the long, bright, skylighted gallery, the Guardsman and his temporary acquaintance were as private as it is possible to be in a public place.
Thus, at the cost of a heightened complexion and an occasional stammer, Franky explained himself. The painting appealed to him because it recalled a Bible story—made familiar to Franky by reason of having swotted it at School for Sunday Ques. with other fellows of the Fifth in Greyshott's time. Also, on the wind-up Sunday of his, Franky's, Last Term, having passed for the Army with the dev—hem!—of a lot of trouble—a beastly epidemic of diphtheria and scarlet fever having broken out among the children of the Windsor poor, the Head had preached from the text in Big Chapel. And the text went something like this:
"A Voice in Rama was heard, of lamentation and mourning: Rachel bewailing her children: and would not be comforted because they are not."
The haggard, beautiful, tearless Rachel of the picture hadn't bucked at the disfigurement and the pain and the danger of child-bearing. She had welcomed them for the sake of the kid.... It was a thundering pity he hadn't lived—in Franky's opinion; "woman jolly well deserved to have been let keep that clinking fine boy to rear."
"I comprehend." The clear eyes flashed into Franky's, the withered brown mask was alight with sympathetic intelligence. "To Monsieur, an English officer and a member of the Protestant Church of England, that woman who leans her bursting heart upon the knees of the Mother of Consolation is Rachel." He quoted:
"'Vox in Rama audita est, ploratus el ululatus: Rachel plorans filios suos: et noluit consolari, quia non sunt.'"
"That's it!" Franky nodded, admitting candidly: "Though I always was a duffer at Latin, and we weren't taught at School to pronounce it—quite in that way."
Said the clear-eyed old man, whose dark wrinkled throat displayed no edge of linen above the plain circular collar of the soutane, only a significant border of purple from which two widish lappets of the same colour depended beneath the peaked and mobile chin, and who might have been a prelate of sorts, had it not been understood of simple Franky that the State had abolished the Catholic religion and banished all priests, monks, and nuns from France.
"The Italianate Latin puzzles you.... It is—slightly different to the Latin they taught you at Eton? Hein? When I lived in England—not so long ago—I counted several brave Eton fellows among my acquaintances. And their mental attitude with regard to the language of Virgil, Horace, and Tacitus was precisely that of Monsieur."
He chuckled, and his oddly young eyes twinkled quite gaily as he pulled out a battered little silver snuff-box and helped himself, wrinkling his thin hooked nose with evident enjoyment. As he dusted the pungent brown grains from his lappets with a coarse blue-checked cotton handkerchief, an amethyst ring on the wrinkled hand flashed pink and violet in the light.