Obediently the eyes of Mademoiselle Bayard followed the direction of the pointing finger. The painter or the evil genius of Charles Tessier had induced him to sit for his portrait in the habiliments of the chase; thus in sporting checks of the chessboard pattern, with the addition of yellow leather leggings, gun pads, and a game bag, and holding between his knees a weapon which obviously embarrassed him, he was presented for the first time to the gaze of his future bride. Those eyes of Juliette's fastened on the canvas a single moment before their dusky lashes dropped. But in that moment Mademoiselle had classified Charles as belonging to the Order of Invertebrates; comprehended his profound insignificance, and realized that from the owner of a head so commonplace, eyes so round, and a nose so blunt, a mouth so lax, and cheeks so pink and chubby—possibly the artist had been liberal of carmine—nothing more of originality, decision, manly force, or power of will might be expected than is commonly demanded of the child's whirligig of stick and cardboard, as seen gyrating madly or spinning feebly under the impetus of its owner's breath.
It was impossible, Mademoiselle told herself, to detest a being so utterly devoid of character—a human pad of blotting paper—as uninteresting as a counting-house stool. One could only pity him, and hope for his mother's sake that sound business capacities were concealed behind that characterless forehead, topped with brown hair cut very short and standing upon end—and wonder at or congratulate Mademoiselle Clémence. Flamandes are generally big and muscular. One could only hope that she had taken Charles by his sloping shoulders and soundly shaken him when he had backed out of his proposal of marriage. Though possibly he had never spoken to the girl at all.
M. le Colonel found his daughter silent during their walk back to the Barracks. After a questioning eyeshot or so at the dainty little figure that moved so demurely beside him—abandoning the vain endeavor to read her mood from the droop of the pure eyelids, the chiseled lines of the exquisite profile—the father relapsed into his own sad thoughts. And then Juliette, stealing a glance at him, realized, with a pang, that his once luxuriant black curls were thinning in places, and already thickly sown with white hairs. The upright martial carriage was marred by a rounding of the shoulders—the stoop of a man upon whose back sits perched Black Care. The seams of the immaculately brushed frock-coat of civil ceremony were shiny in places—the rosette of red ribbon at the lapel was frayed and faded—the tiny medal tarnished and dull. Perhaps the mood of the wearer, be it hopeful or despondent, can affect the apparel, as the chameleon's wrinkled skin changes from the hue of dead bark to the vivid green of young leaves when sunlight touches it, and fades back to the neutral tint when the golden ray is withdrawn.
Juliette would not have thanked me for that analogy of the prehensile-tongued, long-tailed lizard. Inconstancy as described by the poets is typified by the chameleon, and her faith in the sincerity and truth of her Colonel was founded upon the living rock.
We know that she had, or thought she had, discovered why he dared not trust her to a husband whose career must lead him from her. "My blood," she had murmured to herself sorrowfully, "it must" (she meant unfaith) "be in my blood!" The reason for his desperate haste was all beyond her. It must be cruel, because it hurt him so.
That heart of hers was as great as she herself was tiny. Titania at need could love like a Titaness. And the blood of Antigone runs in the veins of living women even to this day, though the noble daughter of Œdipus died a virgin unspotted. When the fairy hand in the perfectly fitting gray glove crept under the Colonel's elbow, it gave, with the smile that accompanied it, a silent pledge of fidelity to the death. But oh, blind father, could you have seen her, in that inmost chamber of the heart where the most innocent maiden shrines the imaginary portrait of a lover—taking down the stately canvas bearing the presentment of a soldier-hero unknown, and hanging up in its place the picture of a mere Charles Tessier, your eyes, like those of the protagonist of the Greek drama, would have wept tears of blood.
That night a letter was penned to Monica in the small, delicately pointed handwriting that seemed appropriate to Juliette.
"To you, dear friend, who have exacted of me the pledge that I will write to you before all, a faithful description of the person of my future husband, I hasten to fulfill the vow. M. Charles Tessier has a fine head and a fine hand, my father praises his capacity for business and his skill at the billiard-table with equal fervor. Of his powers of conversation I have as yet not sufficient experience to afford you an opinion. In the presence of his mother he has been silent and reserved. His letters, however, are eloquently expressed and forcible. When I mention his letters, it should be explained that affairs have entailed upon him the necessity of a journey to Belgium, where he remains for the present, at the house of his partner, M. Basselôt. Thou wilt draw from this the correct conclusion that I am not yet married. Do not forget to pray for thy faithful
"JULIETTE."
"See you well, I am happy—content—I dream not of impossibilities. J'ai pris mon parti. I am sensible, me!"