"That you listened I would stake my honor!—I would pledge my life!—I would put the hand in the fire! Mean! Base! Despicable! Ah, you look simple, little thing, but you are cunning as a mouse—fine as amber! No! I do not pinch, I would scorn it—you know that perfectly! Yes! I will permit you to go when you confess who set you on!"
Laura, unwilling to incur the resentment of forty grown-ups, undesirous of forfeiting the saccharine reward of treachery, boohooed in a whisper, for class-hour was approaching. The wrathful goddess towered over her, eyed with blue lightning, crowned with dusky clouds of thunder, flushed like the sunset that comes after the day of storm.
Had Arthur Hughes or Fred Walker been privileged to peep—one painter at least would have armed her uplifted hand with a bulrush-spear, helmeted her with a curled water-lily leaf, and given the smiling world Titania in the character of Pallas Athene, or Queen Mab as an Amazon. And Juliette would never have pardoned the painter. For—despite the testimony of her tale of inches—she would have it that she was tall, even above the average height of woman.
"I shall not be beautiful, no! but I shall be commanding!" she had assured those favored girls on whom she deigned to bestow her imperial confidence. This select number in turn possessing a circle of confidantes, the drop of a secret meant a series of widening rings, extending to the circle of the day scholars, reaching the Orphanage by-and-by, and trickling at length into the basement, where the Poor School assembled on Wednesdays and Fridays, to gather up the crumbs of knowledge that fell from the tables of the daughters of the great and rich.
You may imagine the scene in Lesser Hall upon this chilly day in January. Excitement was much more warming than crowding round the smoky stoves. Of the semi-circle of great girls in their black school-dresses, enlivened only by the red or white class-rosettes, or the pale blue ribbons of the Children of Mary, all the heads, adorned with every shade of feminine tresses,—all the eyes of all colors, set in faces plain or pretty—were turned toward the tragic figure of Juliette.
Once kindled, such violet fires of wrath blazed in those implacable eyes, one would have supposed nothing could ever quench them. But when she was sorrowful, they were bottomless lakes of misery. Despair lay drowned and wan amid the long black sedges drooping at their borders. Under the dark, hollowed precipices that shadowed them it seemed as though no sun could ever shine. But when the laugh was born, it leaped to the surface with a quiver that caught the light and flashed it back pure sapphire or loveliest Persian turquoise. No face ever framed of earthly clay had more of the mirth of Heaven in it, then. Her long upper lip, the elastic, mobile feature that could draw out to so portentous a length, would be haunted by flying smiles, and the deep-cut corners of her short scarlet under lip would quiver. To inventory the beauties of a young lady and omit the nose would suggest cause for reticence on the writer's part. Juliette's nose was not of Greek or Roman type, but neither was it snubbed or tip-tilted. It had a rounded end, and deep, curved, passionate nostrils. It pertained to no known order of nasal architecture. It was Juliette's nose, and could never have belonged to anybody else.
If you would more of her,—and after the first encounter you either sought or shunned—loved or loathed—as she would have had you do who was in all things sincere and candid, you are to understand that her cloud of dusky hair framed a small oval face that made no show of carnation or vaunt of rose. Her clear fine skin was almost always pale. She would have laughed you to scorn had you likened those colorless cheeks of hers to lilies. She prided herself upon a frame of mind eminently commonplace, antipodean to the romantic. "I am sensible, me!" you often heard her say.
In form—though as you know she believed herself to be a giantess—she was small and slight, and not at all remarkable. A framework of slender bones, frugally covered with tender, healthful flesh. Her shoulders sloped so much that in her loose-bodied, full-sleeved, black merino school uniform she seemed about to vanish. Her hips were narrow, without the voluptuous curves that belong to heroines. But a Divine jest had added to her little high-arched head a tiny pair of rosy shells for hearing, and the palms and nails and finger-tips of her narrow hands,—and feet I have heard it said by some who loved her—were roseate also. The younger children liked to pretend that this was a judgment on Juliette for stealing strawberries in the early June season, but she only joined in that one raid on the Sisters' kitchen-garden "To be a good comrade!" ... and as it happened, all the strawberries were slug-eaten. And where are there strawberries worth the stealing, unless it be in France?
For next to God and Our Lady, and her father M. le Colonel, Juliette Bayard loved her country. Paradise was but an improvement on France, to hear her describe it to the little ones. Further, though she had a perfect taste in dress, when released from the school uniform; though an ordinary hat under her deft transforming fingers would become a miracle of exquisite millinery; her groups of flowers, and landscapes, in water-color, her crayon dog's heads, were mercifully hidden from the drawing-master's eye. She sang out of tune, but in time; played correctly, but hated the piano; danced like an air-wafted tuft of dandelion-down or a gnat upon a summer evening,—and had a Heaven-born gift for housekeeping and cookery.
Of this last gift more anon. Meanwhile Laura writhed, or seemed to writhe, under the torrent of passionate reproaches, culminating in another shake, and a slap which might have damaged a kitten newly-born. Laura fell prone, moaning and gurgling. And Juliette, pierced by remorse at her own ruthlessness, sank, pale as ashes, beside the victim's corse.