The Man of Iron

by Richard Dehan

Of the junior-staff room of the Early Wire, a bare, gaunt place, lighted by three seldom-washed windows looking on a sooty yard, or by six flaring gas-jets by night or in foggy weather, Carolan was, by the interest of Mr. Ticking, one day made free. Names of power were cut with penknives on the ink-splashed deal tables, and the bottoms of the cane-seated chairs had given way under the weight of personalities now famous, men who were paid for a single article as much as Ticking earned in a year.

And thus P. C. Breagh joined the gallant company of the Free Lances of Fleet Street, and very soon had its offices and eating-houses, its haunts and traditions by heart. What demi-gods walked upon those historic flags and cobblestones! Russell, the pioneer and King of War Correspondents, and Simpson of Crimean fame, whose war-sketches for the Illustrated London News had set England ablaze in '54-5, and George Augustus Sala, and Macready—long since retired from the stage in 1870,—the veteran Charles Mathews and Byron of burlesque fame, and Bulwer Lytton, and Tennyson and Browning, and Planche and Edmund Yates, and genial, handsome Tom Robertson, who was to die, with his laurels green upon him, in another year. All these were pointed out to the young man, with certain places rendered for ever sacred by the footsteps of Dickens and Thackeray, and other of the Immortals who have passed beyond these voices into peace.

And into the world of Music and the Drama, our fortunate youth, by virtue of his initiation into the cheery brotherhood of Pressmen, was now admitted. There were free admissions for Popular Concerts where one could hear Professor Burnett and Signor Piatti play the piano and violoncello, and Santley most gloriously sing, and Sims Reeves deliver Beethoven's incomparable "Adelaida" with that splendor of voice and style that will never be surpassed. The Christy Minstrels of St. James's Hall beguiled our hero of a stealthy tear or two, and made him roar with laughter; and Blanchard's Drury Lane Pantomime of "Beauty and the Beast," with Kate Santley as Azalea, the Peri, and Miss Vokes as the lovely Zemira, was an eye-opener to a youth who had witnessed only provincial productions in his native country, and half a dozen performances of Schiller's "Robbers," "Don Carlos," and "The Stranger" of Kotzebu as given by a stock-company of Bavarian actors at the Theater of Schwärz-Brettingen.

Also our hero was privileged to witness the performances of Mrs. Wood as Miss Hardcastle in "She Stoops to Conquer," and afterwards in the extravaganza of "La Belle Sauvage," at the St. James's Theater, and J. S. Clarke, then drawing the town with "Amongst the Breakers" at the Strand.

At the Olympic, Patti Josephs was touching the hearts of the British Public as Little Em'ly, Rowe was tickling people to laughter with the unctuosities and impecuniosities of Micawber, a certain Mr. Henry Irving was holding his audiences spellbound with the sardonic slyness and hypocritical cunning displayed in his performance of Uriah Heep, and beautiful Mrs. Rousby was breaking hearts at the Queen's Theater. And evenings spent with these, or with Professor Pepper at the Polytechnic, or the German Reeds, who were playing Gilbert and Sullivan's little operas, and "Cox and Box" at the Gallery of Illustration,—were crowned by suppers in the grill-room of "The Albion" in Drury Lane, or at Evan's at the north-west corner of Covent Garden. And these were merry times and merry mimes, my masters, and we shall not look upon their like again.

And in the environment I have endeavored to depict, and with the associates I have tried to delineate, and with the pleasant hum and swirl of this new life setting the tune for his young pulses and mingling with his blood, Carolan's temperament recovered its elasticity, and his character developed apace. The magic gift of sympathy found in the gutter on that night of homeless, hungry wandering was his now, never to be lost or alienated. He had learned much when he had discovered how to fit himself inside the ginger kitten's ragged skin.

The bond of brotherhood, established between a shaggy-haired boy and all other created beings capable of joy and susceptible to suffering, would hold unbroken through all the years to come. We are aware that the confidence of Mr. Knewbit had been won that morning on Waterloo Bridge, and we have heard Miss Ling (not ordinarily given to broach the subject of the faithless underbutler) tell him in her simple way of the desertion that had left her kind heart empty and sore. We may know also that Mr. Ticking revealed, with the fact of the existence of the invalid mother resident at Brixton, the secret that he was beloved by a certain Annie, the orphan daughter of a deceased relative, who lived with the old lady as housekeeper and nurse. Annie, it seemed, had a little fortune of her own, and was so kind, so clever and so charming, that only the indiscreetly-evident anxiety of Ticking's mother to bring about a match, and the too plainly manifested willingness of Annie to accept the hand of Mr. Ticking, were it offered—held him back from becoming an engaged man. As it was, he spoke, in somber whispers, of an amatory entanglement with a splendid creature, not good as Annie was good, but possessing the beauty in whose baleful luster honest prettiness pales, and the charm whose sorcery kills the conscience, and wakens the scorching desires of man.

"Passion!—there's no going against that, you know!" he would say, wagging his head dismally, "and if ever you see Leah, you'll understand."

But when P. C. Breagh did see Leah, who presided over the gaudy necktie and imitation gold cuff-link department at an East Strand hosier's, he failed to understand at all. She had big burnt-out dusky-brown eyes and loops of coarse black hair, and a big bust and a tiny waist with a gilt dog-collar belt about it. Ticking had paid for the belt when he had taken her to the Crystal Palace, and she had admired the trinket on one of the fancy stalls in the French Court next the Great Concert Hall. And there had been a display of fireworks on the Terrace, and in the dark interval between two set-pieces there had been a mutual declaration; and the moth Ticking had singed his wings in the flame of illicit passion, and would return to flutter about the candle, he supposed, until he met his doom.

Mr. Mounteney spoke of Passion as well as Mr. Ticking, but in the exhausted accents of a world-weary cynic who had drunk of the cup to satiety. He knew so much of women, thanks to "Araminta," that he had nothing more to learn. Yet when a pert and pretty waitress, who served the table at which he commonly lunched at a Fleet Street chop-house, proved ungrateful after six months of extra tips, trips to Kew and Rosherville Gardens and innumerable theater tickets, and told Mr. Mounteney in the plainest terms that he was "too bow-windowy in figure for a beau," and that she preferred young swells on the Stock Exchange to elderly newspaper gents, Mounteney—the expressed preference having been illustrated by demonstration,—was tragically comic in his manifestations of wounded vanity, quite funnily touching in his display of jealousy and despair. For a whole week following the betrayal his pale blue eyes were suffused with tears, his Roman nose was red, and his light hair stood up on end, where his despairing fingers had rumpled it. His black ribbon necktie straggled untied over a limp shirt-front, the violet-ink-pencil memoranda on his paper cuffs had merged into blotches and blurs.