Meanwhile, Oscar Leigh had left Chetwynd Street, and gone back to the clock-room to fix the new blind Binns, the potman, had bought for him. He had not intended returning that day, but he had nothing special to do, and the blind was a new idea and new ideas interested him.
He let himself in by the private door, and went straight to the clock-room. He had a bottle of sweet oil, and the roll of muslin. He oiled the muslin, and having stretched and nailed it in position, raised the lower sash of the window about two feet from the sill. The muslin was double, and the two sheets were kept half an inch apart by two rods, so that any dust getting through the outer fold might be caught by the inner one. Having settled this screen to his satisfaction, he left the room and descended once more.
"My clock," he thought, "will be enough for fame. I will not meddle with this Miracle Gold. I am committed to nothing, and anything Timmons may say will be only slander, even if he did dare to speak."
He reached the street, and wandered on aimlessly.
"My clock when it is finished will be the most perfect piece of mechanism ever designed and executed by one man. It will be classed among the wonders of the world, and be spoken of with admiration as long as civilization lasts.
"But I must take care it does not get the upper hand of me. Already the multiplicity of the movements confuse my head at times when I am not near it. I must be careful of my head, or my great work will suffer. Sometimes I see those figure of time all modelled and fashioned and in their proper dispositions executing their assigned evolutions. At times I am in doubt about them. They grow faint, and cobwebby, and misty, as though they were huddled together in some dim room, to which one ray of light was suddenly admitted. I must be careful of my head.
"Long ago, and also until not very long ago, when I added a new effect or movement it fell into its proper place and troubled me no more. Now, when I am away from my clock, when I cannot see and touch it, I often forget a movement, or give it a wrong direction, draw from it a false result.
"I am too much a man of one idea. I have imagination enough for a score of hands and ten stout bodies, and I have only a pair of hands and THIS!"
He paused and looked down at his protuberant chest and twisted trunk, and shrunken, bent legs, and enormous feet.
"I am a bad specimen of the work of Nature's journeyman, to put it as some one does, and I am abominably made--all except the head!"