In front of the house stretched a broad gravelled drive, which narrowed into a gravelled road as it set off to the main road, a considerable distance farther on. This carriage-road wound in and out through the oaks of the Park. Between the gravelled open in front of the house and the trees stretched a narrow band of shaven grass. This narrow band of grass followed the carriage-road up to the lodge-gate.
Around the paved yard in the rear stood the coach-house, stables, kitchen, laundry, scullery, larder, and other offices, and still farther to the rear of the house, behind the yard, were the flower and kitchen gardens. To the rear of all, surrounding all, and binding all in like suffocating bondage, was the Park of gnarled oaks and rank lush undergrowth and slimy soil.
In looking at the house you were not conscious of anything uncanny or repulsive. At the left-hand end—that is, the end of the house nearest to Daneford—there rose a tower, mounting only one storey above the dormar floor.
Upon the top of this tower was a huge iron tank, corroded into a skeleton of its former self. Looking at that weather-battered and rusted tank, with the undergrowth in the Park behind you, the former resembled the decay of the indomitable natives of America, who perished slowly in opposing themselves to fate; the overripe prosperity of the latter looked like the destruction of the Romans, who ate and drank and slept their simplicity and their manhood away.
One peculiarity of this house was that no green plant or creeper could get a living out of its dry walls. Neither on the house nor on the tower had ever been seen one leaf native to the place. Here was another thing in strong contrast to the teeming vegetation environing this house.
It was not while looking at the Manor you felt its unpleasant influence. In sunshine nothing disturbed your peace while you contemplated its dry, cold front. But when you had gone away; when you were sitting in your own bright room; when you were walking along a lonely road; when you awoke in the middle of the night, and heard the torrents of the storm roar as they whirled round your window; then, if the thought of that house came up before your mind, you shrank back from its image as from an apparition of evil mission. In your mental vision the house itself seemed scared and afeared.
The intense green life that dwelt beneath those oaks stood out in startling contrast with the absolute nudity of those unapparelled stones. The house seemed to shrink instinctively from any contact with verdure, as though it felt assured of evil from moss or leaf or blade. It appeared to dread that the oaks would creep up on it and overwhelm it in their portentous shadows, beat it down with their giant arms.
That tower stood out in the imagination like an arm uplifted in appeal; that shattered tank became a tattered flag of distress. The windows looked like scared eyes, the broad doorway a mouth gaping with terror. The whole building quivered with human horror, was silent with frozen awe.
In the year 1856 Henry Walter Grey's father died, and the son became sole proprietor of the Daneford Bank. Up to that time the son had lived, with his wife, to whom he had then been married six years, in the Bank-house as manager under his father. There were only a few years' lease of his father's suburban residence, to run, and a likelihood arose that the landlord would not renew, so young Grey had to look out for a home, as he intended appointing a manager and living away from the office.
At that time the Manor House was in the market, and Mr. Grey bought it for, as he said, "a song, and a very poor song, too," considering the extent of the Park, the value of the timber, and the spacious old house. As a matter of fact, no one valued the dwelling at a penny beyond what the sale of its stones would bring; for the impression of the seller was that, owing to its uncanny aspect and bad name, no one would think of buying it to live in.