The manner of Ringing the Seven-score and four, is this; the treble and tenor are both whole hunts, and the second is the half hunt; the first change is a treble change, and the next a double change, as I shewed you before; in which course they are made, until the treble leads again, and the tenor lie behind; at which time there's a single change to be made in third and fourths places: But when the half hunt lies next to the treble, then the next single change must be made in fourths and fifths places, as in this following Peal, where I have only set down part of it for an example.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 4 | 3 | 6 | 5 |
| 2 | 4 | 1 | 6 | 3 | 5 |
| 4 | 2 | 6 | 1 | 5 | 3 |
| 4 | 6 | 2 | 5 | 1 | 3 |
| 6 | 4 | 5 | 2 | 3 | 1 |
| 6 | 5 | 4 | 3 | 2 | 1 |
| 5 | 6 | 3 | 4 | 1 | 2 |
| 5 | 3 | 6 | 1 | 4 | 2 |
| 3 | 5 | 1 | 6 | 2 | 4 |
| 3 | 1 | 5 | 2 | 6 | 4 |
| 1 | 3 | 2 | 5 | 4 | 6 |
| 1 | 3 | 5 | 2 | 4 | 6 |
| 3 | 1 | 2 | 5 | 6 | 4 |
| 3 | 2 | 1 | 6 | 5 | 4 |
| 2 | 3 | 6 | 1 | 4 | 5 |
| 2 | 6 | 3 | 4 | 1 | 5 |
| 6 | 2 | 4 | 3 | 5 | 1 |
| 6 | 4 | 2 | 5 | 3 | 1 |
| 4 | 6 | 5 | 2 | 1 | 3 |
| 4 | 5 | 6 | 1 | 2 | 3 |
| 5 | 4 | 1 | 6 | 3 | 2 |
| 5 | 1 | 4 | 3 | 6 | 2 |
| 1 | 5 | 3 | 4 | 2 | 6 |
| 1 | 5 | 4 | 3 | 2 | 6 |
| 5 | 1 | 3 | 4 | 6 | 2 |
| 5 | 3 | 1 | 6 | 4 | 2 |
| 3 | 5 | 6 | 1 | 2 | 4 |
| 3 | 6 | 5 | 2 | 1 | 4 |
| 6 | 3 | 2 | 5 | 4 | 1 |
| 6 | 2 | 3 | 4 | 5 | 1 |
| 2 | 6 | 4 | 3 | 1 | 5 |
| 2 | 4 | 6 | 1 | 3 | 5 |
| 4 | 2 | 1 | 6 | 5 | 3 |
| 4 | 1 | 2 | 5 | 6 | 3 |
| 1 | 4 | 5 | 2 | 3 | 6 |
| 1 | 4 | 2 | 5 | 3 | 6 |
| 4 | 1 | 5 | 2 | 6 | 3 |
| 4 | 5 | 1 | 6 | 2 | 3 |
| 5 | 4 | 6 | 1 | 3 | 2 |
| 5 | 6 | 4 | 3 | 1 | 2 |
| 6 | 5 | 3 | 4 | 2 | 1 |
| 6 | 3 | 5 | 2 | 4 | 1 |
| 3 | 6 | 2 | 5 | 1 | 4 |
| 3 | 2 | 6 | 1 | 5 | 4 |
| 2 | 3 | 1 | 6 | 4 | 5 |
| 2 | 1 | 3 | 4 | 6 | 5 |
| 1 | 2 | 4 | 3 | 5 | 6 |
| 1 | 2 | 4 | 5 | 3 | 6 |
| 2 | 1 | 5 | 4 | 6 | 3 |
| 2 | 5 | 1 | 6 | 4 | 3 |
| 5 | 2 | 6 | 1 | 3 | 4 |
| 5 | 6 | 2 | 3 | 1 | 4 |
| 6 | 5 | 3 | 2 | 4 | 1 |
This Peal is grounded on the Twenty-four changes doubles and singles, the second, third, fourth and fifth makes the Twenty-four changes; the second bell is the hunt in the Twenty-four, therefore the extream in the Peal next before, is made between the two farthest extream bells from it when it lies before them: At the extream changes there's a line drawn between the figures, but the extreams may be made every time the second lies behind the extream bells; or else, every time it lies before and behind them, in the same manner, as I told you before in my directions to the Twenty-four Doubles and Singles: And this Peal may be also Rang with any other whole hunts, or half hunts.
In the Six-score Trebles and Doubles, the changes are the same as in the Peal next before, until the whole hunt leads, at which time (in this Peal) there is a double change to be made between the four hindmost bells; but when the whole hunt leads, and the half hunt lies next to it, then there is a single change to be made, either between the two nearest bells to the half hunt, or else between the two farthest bells from it; there are but two single changes in the Peal, and the second single change must be made between those two bells which made the first. In this following, the treble is the whole hunt, and the second the half hunt, and the first single change is made when the bells do lie 124365: which is sixty changes from the beginning of the Peal; after the whole hunt has at first hunted up and down again: I have set down only those changes which are made every time the whole hunt leads.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 4 | 3 | 6 | 5 |
| 2 | 4 | 1 | 6 | 3 | 5 |
| 4 | 2 | 6 | 1 | 5 | 3 |
| 4 | 6 | 2 | 5 | 1 | 3 |
| 6 | 4 | 5 | 2 | 3 | 1 |
| 6 | 5 | 4 | 3 | 2 | 1 |
| 5 | 6 | 3 | 4 | 1 | 2 |
| 5 | 3 | 6 | 1 | 4 | 2 |
| 3 | 5 | 1 | 6 | 2 | 4 |
| 3 | 1 | 5 | 2 | 6 | 4 |
| 1 | 3 | 2 | 5 | 4 | 6 |
| 1 | 3 | 5 | 2 | 6 | 4 |
| 1 | 5 | 3 | 6 | 2 | 4 |
| 1 | 5 | 6 | 3 | 4 | 2 |
| 1 | 6 | 5 | 4 | 3 | 2 |
| 1 | 6 | 4 | 5 | 2 | 3 |
| 1 | 4 | 6 | 2 | 5 | 3 |
| 1 | 4 | 2 | 6 | 3 | 5 |
| 1 | 2 | 4 | 3 | 6 | 5 |
| 1 | 2 | 3 | 4 | 6 | 5 |
| 1 | 3 | 2 | 6 | 4 | 5 |
| 1 | 3 | 6 | 2 | 5 | 4 |
| 1 | 6 | 3 | 5 | 2 | 4 |
| 1 | 6 | 5 | 3 | 4 | 2 |
| 1 | 5 | 6 | 4 | 3 | 2 |
| 1 | 5 | 4 | 6 | 2 | 3 |
| 1 | 4 | 5 | 2 | 6 | 3 |
| 1 | 4 | 2 | 5 | 3 | 6 |
| 1 | 2 | 4 | 3 | 5 | 6 |
| 1 | 2 | 3 | 4 | 5 | 6 |
The course of the Twelve-score, and the Seven-hundred and twenty, are both one and the same; for the Twelve-score changes, are only part of the Seven-hundred and twenty. There's a whole hunt, a half hunt, a quarter hunt, and three extream bells in the Seven-hundred and twenty; the changes are all treble and double (in the same course, as in the Six-score next before set down) until the whole hunt leads, and the half hunt lies next to it, at which time there's a single change to be made in fourth and fifths places: But when the whole hunt leads, and the half hunt lies next to it, and the quarter hunt lies next to the half hunt, then there's an extream to be made, which is a single change, and made between the two farthest extream bells from the quarter hunt; and by observing this course, you may prick down, or Ring the Seven-hundred and twenty: But if you would only Ring Twelve-score changes (and then end there, by bringing the bells round) you must make no extream change at all; for in making every single change in fourth and fifths places, the bells will come round in course at the end of Twelve-score changes if you make no extream change to carry the Peal forward. In the following changes, the treble is the whole hunt, the 2 is the half hunt, the 3 the quarter hunt, and the 4, 5, and 6, are the extream bells. It being not much material to set down this Peal at large, therefore after the treble (which is the whole hunt) has hunted twice up and down, I have put down only the two changes which are made every time the treble leads to the end of the Twelve-score, as follows.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 4 | 3 | 6 | 5 |
| 2 | 4 | 1 | 6 | 3 | 5 |
| 4 | 2 | 6 | 1 | 5 | 3 |
| 4 | 6 | 2 | 5 | 1 | 3 |
| 6 | 4 | 5 | 2 | 3 | 1 |
| 6 | 5 | 4 | 3 | 2 | 1 |
| 5 | 6 | 3 | 4 | 1 | 2 |
| 5 | 3 | 6 | 1 | 4 | 2 |
| 3 | 5 | 1 | 6 | 2 | 4 |
| 3 | 1 | 5 | 2 | 6 | 4 |
| 1 | 3 | 2 | 5 | 4 | 6 |
| 1 | 3 | 5 | 2 | 6 | 4 |
| 3 | 1 | 2 | 5 | 4 | 6 |
| 3 | 2 | 1 | 4 | 5 | 6 |
| 2 | 3 | 4 | 1 | 6 | 5 |
| 2 | 4 | 3 | 6 | 1 | 5 |
| 4 | 2 | 6 | 3 | 5 | 1 |
| 4 | 6 | 2 | 5 | 3 | 1 |
| 6 | 4 | 5 | 2 | 1 | 3 |
| 6 | 5 | 4 | 1 | 2 | 3 |
| 5 | 6 | 1 | 4 | 3 | 2 |
| 5 | 1 | 6 | 3 | 4 | 2 |
| 1 | 5 | 3 | 6 | 2 | 4 |
| 1 | 5 | 6 | 3 | 4 | 2 |
| 1 | 6 | 5 | 4 | 3 | 2 |
| 1 | 6 | 4 | 5 | 2 | 3 |
| 1 | 4 | 6 | 2 | 5 | 3 |
| 1 | 4 | 2 | 6 | 3 | 5 |
| 1 | 2 | 4 | 3 | 6 | 5 |
| single | |||||
| 1 | 2 | 4 | 6 | 3 | 5 |
| 1 | 4 | 2 | 3 | 6 | 5 |
| 1 | 4 | 3 | 2 | 5 | 6 |
| 1 | 3 | 4 | 5 | 2 | 6 |
| 1 | 3 | 5 | 4 | 6 | 2 |
| 1 | 5 | 3 | 6 | 4 | 2 |
| 1 | 5 | 6 | 3 | 2 | 4 |
| 1 | 6 | 5 | 2 | 3 | 4 |
| 1 | 6 | 2 | 5 | 4 | 3 |
| 1 | 2 | 6 | 4 | 5 | 3 |
| single | |||||
| 1 | 2 | 6 | 5 | 4 | 3 |
| 1 | 6 | 2 | 4 | 5 | 3 |
| 1 | 6 | 4 | 2 | 3 | 5 |
| 1 | 4 | 6 | 3 | 2 | 5 |
| 1 | 4 | 3 | 6 | 5 | 2 |
| 1 | 3 | 4 | 5 | 6 | 2 |
| 1 | 3 | 5 | 4 | 2 | 6 |
| 1 | 5 | 3 | 2 | 4 | 6 |
| 1 | 5 | 2 | 3 | 6 | 4 |
| 1 | 2 | 5 | 6 | 3 | 4 |
| single | |||||
| 1 | 2 | 5 | 3 | 6 | 4 |
| 1 | 5 | 2 | 6 | 3 | 4 |
| 1 | 5 | 6 | 2 | 4 | 3 |
| 1 | 6 | 5 | 4 | 2 | 3 |
| 1 | 6 | 4 | 5 | 3 | 2 |
| 1 | 4 | 6 | 3 | 5 | 2 |
| 1 | 4 | 3 | 6 | 2 | 5 |
| 1 | 3 | 4 | 2 | 6 | 5 |
| 1 | 3 | 2 | 4 | 5 | 6 |
| 1 | 2 | 3 | 5 | 4 | 6 |
The last change is 123456: which is at the end of Twelve-score changes; and here you see, that the whole hunt, the half hunt, and quarter hunt, do lie next to each other before the extream bells; therefore the bells may either be brought round, by making the single change in the same place, as those next before, are made thus, 123456: or else, if you would proceed forward to the end of the Seven-hundred and twenty, then the next must be an extream change between the fourth and sixth, which are the 2 hindmost bells, thus, 123564: and by observing to make an extream change behind every time the 1, 2, 3, lie together before the bells, the bells will come round in course at the end of the Seven-hundred and twenty; at the end of every Three score changes, there's a single change throughout the Peal, and an extream change at the end of every Twelve-score. This Peal (by the Rules aforesaid) may be Rang with any whole hunt, half hunt, and quarter hunt.
In this Peal is contained the Six-score changes of Old Doubles on five bells, and also the Twenty-four changes Doubles and Singles on four bells; the half hunt, the quarter hunt, and three extream bells, makes the Six-score changes of Old Doubles in a perfect course; and the quarter hunt, and three extream bells, do make the Twenty-four changes Doubles and Singles. Every time the whole hunt leads, there are made two changes of the Six-score; and every time the whole hunt leads, and the half hunt lies next to it, there are two changes mades in the Twenty-four.