CHAPTER II
It is because ‘Astarte’ is a pretentious and plausible record of fallacies that the present writer feels bound to take note of its arguments.
In order to avoid circumlocution and tedious excursions over debatable ground, we will assume that the reader is tolerably well acquainted with literature relating to the separation of Lord and Lady Byron.
It would certainly have been better if the details of Byron’s quarrel with his wife had been ignored. Prior to the publication of Mrs. Beecher Stowe’s articles, in 1869, the greatest tenderness had been shown towards Lady Byron by all writers upon Byron’s career and poetry, and by all those who alluded to his unhappy marriage. Everyone respected Lady Byron’s excellent qualities, and no one accused her of any breach of faith in her conduct towards either her husband or his sister. Lady Byron was generally regarded as a virtuous and high-minded woman, with a hard and cold disposition, but nothing worse was said or thought of her, and the world really sympathized with her sorrows.
But when her self-imposed silence was broken by Mrs. Beecher Stowe, and Byron stood publicly accused on Lady Byron’s authority of an odious crime which she had never attempted to prove during the poet’s lifetime, there arose a revulsion of feeling against her memory. It was generally felt, after the suffering and the patience of a lifetime, that Lady Byron might well have evinced a deeper Christian spirit at its close.
As time went on, the memory of this untoward incident gradually faded away, and the present generation thought little of the rights or wrongs of a controversy which had moved their forefathers so deeply. The dead, so to speak, had buried their dead, and all would soon have been forgotten. Unfortunately, the late Lord Lovelace, a grandson of Lady Byron, goaded by perusal of the attacks made upon Lady Byron’s memory, after Mrs. Beecher Stowe’s revelations in 1869, was induced in 1905 to circulate among ‘those who, for special reasons, ought to have the means of acquainting themselves with the true position of Lord and Lady Byron,’ a work entitled ‘Astarte,’ which is mainly a compilation of letters and data, skilfully selected for the purpose of defaming his grandfather.
After informing the reader that ‘the public of this age would do well to pay no attention to voluminous complications and caricatures of Lord Byron,’ Lord Lovelace gaily proceeds, on the flimsiest of evidence, to blast, not only Byron’s name, but also the reputation of the poet’s half-sister, Augusta Leigh.
After telling the world that Byron ‘after his death was less honoured than an outcast,’ Lord Lovelace endeavours to justify the public neglect to honour the remains of a great national poet by accusing Byron of incest. Lord Lovelace’s claim to have been the sole depositary of so damning a secret is really comical, because, as a matter of fact, he never knew the truth at all. He thought that he had only, like Pandora, to open his box for all the evil to fly out, forgetting that Truth has an awkward habit of lying at the bottom. He seems, however, to have had some inkling of this, for he is careful to remind us that ‘Truth comes in the last, and very late, limping along on the arm of Time.’