‘There was something about a legacy of two thousand pounds which he [Shelley] has left me. This, of course, I declined, and the more so that I hear that his will is admitted valid; and I state this distinctly that, in case of anything happening to me, my heirs may be instructed not to claim it.’
Towards the end of September, 1822, Byron and the Countess Guiccioli left the Palazzo Lanfranchi, and moved from Pisa to Albaro, a suburb of Genoa. At the Villa Saluzzo, where the poet resided until his departure for Greece, dwelt also Count Gamba and his son Pietro, who occupied one part of that large house, while Byron occupied another part, and their establishments were quite separate. The first number of The Liberal which had been printed in London, reached Byron’s hands at this time. The birth of that unlucky publication was soon followed by its death, as anyone knowing the circumstances attending its conception might have foreseen. Shelley’s death may be said to have destroyed the enterprise and energy of the survivors of that small coterie, who, in the absence of that vital force, the fine spirit that had animated and held them together, ‘degenerated apace,’ as Trelawny tells us. Byron ‘exhausted himself in planning, projecting, beginning, wishing, intending, postponing, regretting, and doing nothing. The unready are fertile in excuses, and his were inexhaustible.’
In December, 1822, Trelawny laid up Byron’s yacht, The Bolivar, paid off the crew, and started on horseback for Rome. The Bolivar was eventually sold by Byron to Lord Blessington for 400 guineas. Four or five years after Byron’s death this excellent little sea-boat, with Captain Roberts (who planned her for Byron) on board, struck on the iron-bound coast of the Adriatic and foundered. Not a plank of her was saved.
‘Never,’ said Captain Roberts in narrating the circumstance many years afterwards, ‘was there a better sea-boat, or one that made less lee-way than the dear little Bolivar, but she could not walk in the wind’s eye. I dared not venture to put her about in that gale for fear of getting into the trough of the sea and being swamped. To take in sail was impossible, so all we had left for it was to luff her up in the lulls, and trust to Providence for the rest. Night came on dark and cold, for it was November, and as the sea boiled and foamed in her wake, it shone through the pitchy darkness with a phosphoric efflorescence. The last thing I heard was my companion’s exclamation, “Breakers ahead!” and almost at the same instant The Bolivar struck: the crash was awful; a watery column fell upon her bodily like an avalanche, and all that I remember was, that I was struggling with the waves. I am a strong swimmer, and have often contested with Byron in his own element, so after battling long with the billows, covered with bruises, and more dead than alive, I succeeded in scrambling up the rocks, and found myself in the evergreen pine-forest of Ravenna, some miles from any house. But at last I sheltered myself in a forester’s hut. Death and I had a hard struggle that bout.’[8]
On April 1, 1823, Lord and Lady Blessington called on Byron at the Casa Saluzzo. Lady Blessington assures us that, in speaking of his wife, Byron declared that he was totally unconscious of the cause of her leaving him. He said that he left no means untried to effect a reconciliation, and added with bitterness: ‘A day will arrive when I shall be avenged. I feel that I shall not live long, and when the grave has closed over me, what must she feel!’
In speaking of his sister, Byron always spoke with strong affection, and said that she was the most faultless person he had ever known, and that she was his only source of consolation in his troubles during the separation business.
‘Byron,’ says Lady Blessington, ‘has remarkable penetration in discovering the characters of those around him, and piques himself on it. He also thinks that he has fathomed the recesses of his own mind; but he is mistaken. With much that is little (which he suspects) in his character, there is much that is great that he does not give himself credit for. His first impulses are always good, but his temper, which is impatient, prevents his acting on the cool dictates of reason. He mistakes temper for character, and takes the ebullitions of the first for the indications of the nature of the second.’
Lady Blessington seems to have made a most searching examination of Byron’s character, and very little escaped her vigilance during the two months of their intimate intercourse. She tells us that Byron talked for effect, and liked to excite astonishment. It was difficult to know when he was serious, or when he was merely ‘bamming’ his aquaintances. He admitted that he liked to hoax people, in order that they might give contradictory accounts of him and of his opinions. He spoke very highly of Countess Guiccioli, whom he had passionately loved and deeply respected. Lady Blessington says: ‘In his praises of Madame Guiccioli it is quite evident that he is sincere.’
Byron confessed that he was not happy, but admitted that it was his own fault, as the Countess Guiccioli, the only object of his love, had all the qualities to render a reasonable being happy. In speaking of Allegra, Byron said that while she lived her existence never seemed necessary to his happiness; but no sooner did he lose her than it appeared to him as though he could not exist without her. It is noteworthy that, one evening, while Byron was speaking to Lady Blessington at her hotel at Genoa, he pointed out to her a boat at anchor in the harbour, and said: ‘That is the boat in which my friend Shelley went down—the sight of it makes me ill. You should have known Shelley to feel how much I must regret him. He was the most gentle, most amiable, and least worldly-minded person I ever met; full of delicacy, disinterested beyond all other men, and possessing a degree of genius, joined to a simplicity, as rare as it is admirable. He had formed to himself a beau-idéal of all that is fine, high-minded, and noble, and he acted up to this ideal even to the very letter. He had a most brilliant imagination, but a total want of worldly wisdom. I have seen nothing like him, and never shall again, I am certain.’
We may, upon the evidence before us, take it for certain that Byron only admired two of his contemporaries—Sir Walter Scott and Shelley. He liked Hobhouse, and they had travelled together without a serious quarrel, which is a proof of friendship; but he felt that Hobhouse undervalued him, and, as Byron had a good deal of the spoiled child about him, he resented the friendly admonitions which, it seems, Hobhouse unsparingly administered whenever they were together. Tom Moore was a ‘croney’—a man to laugh and sit through the night with—but there was nothing, either in his genius or his conduct, which Byron could fall down and worship, as he seemed capable of doing in the case of Shelley and Scott.