If Schopenhauer is fond of referring to the agreement of his views with the oldest and most perfect religions, the idea lies in the background that religion,—which springs from the same metaphysical needs as philosophy, and, for the great multitude, who lack the leisure and the capacity for philosophical thought, takes the place of the former,—as the metaphysics of the people, clothes the same fundamental truths which the philosopher offers in conceptual form and supports by rational grounds in the garb of myth and allegory, and places them under the protection of an external authority. When this character of religion is overlooked, and that which is intended to be symbolical is taken for literal truth (it is not the supernaturalists alone who start with this unjust demand, but the rationalists also, with their minimizing interpretations), it becomes the worst enemy of true philosophy. In Christianity the doctrines of original sin and of redemption are especially congenial to our philosopher, as well as mysticism and asceticism. He declares Mohammedanism the worst religion on account of its optimism and abstract theism, and Buddhism the best, because it is idealistic, pessimistic, and—atheistic.
It was not until after the appearance of the second edition of his chief work that Schopenhauer experienced in increasing measure the satisfaction—which his impatient ambition had expected much earlier—of seeing his philosophy seriously considered. A zealous apostle arose for him in Julius Frauenstädt (died 1878; Letters on the Philosophy of Schopenhauer, 1854; New Letters on the Philosophy of Schopenhauer, 1876), who, originally an Hegelian, endeavored to remove pessimism from the master's system. Like Eduard von Hartmann, who will be discussed below, Julius Bahnsen (died 1882; The Contradiction in the Knowledge and Being of the World, the Principle and Particular Verification of Real-Dialectic, 1880-81; also, interesting characterological studies) seeks to combine elements from Schopenhauer and Hegel, while K. Peters (Will-world and World-will, 1883) shows in another direction points of contact with the first named thinker. Of the younger members of the school we may name P. Deussen in Kiel (The Elements of Metaphysics, 2d ed., 1890), and Philipp Mainländer (Philosophy of Redemption, 2d ed., 1879). As we have mentioned above, Schopenhauer's doctrines have exercised an attractive force in artistic circles also. Richard Wagner (1813-83; Collected Writings, 9 vols., 1871-73, vol. x. 1883; 2d ed., 1887-88), whose earlier aesthetic writings (The Art-work of the Future, 1850; Opera and Drama, 1851) had shown the influence of Feuerbach, in his later works (Beethoven, 1870; Religion and Art, in the third volume of the Bayreuther Blätter, 1880) became an adherent of Schopenhauer, after, in the Ring of the Nibelung, he had given poetical expression to a view of the world nearly allied to Schopenhauer's, though this was previous to his acquaintance with the works of the latter.[1] One of the most thoughtful disciples of the Frankfort philosopher and the Bayreuth dramatist is Fried rich Nietzsche (born 1844). His Unseasonable Reflections, 1873-76,[2] is a summons to return from the errors of modern culture, which, corrupted by the seekers for gain, by the state, by the polite writers and savants, especially by the professors of philosophy, has made men cowardly and false instead of simple and honorable, mere self-satisfied "philistines of culture." In his writings since 1878[3] Nietzsche has exchanged the rôle of a German Rousseau for that of a follower of Voltaire, to arrive finally at the ideal of the man above men.[4]
[Footnote 1: Cf. on Wagner, Fr. v. Hausegger, Wagner und Schopenhauer, 1878. [English translation of Wagner's Prose Works by Ellis, vol. i., 1892.—TR.]
[Footnote 2: "D. Strauss, the Confessor and the Author"; "On the Advantage and Disadvantage of History for Life"; "Schopenhauer as an Educator"; "R. Wagner in Bayreuth.">[
[Footnote 3: Human, All-too-human, new ed., 1886; The Dawn, Thoughts on Human Prejudices, 1881; The Merry Science, 1882; So spake Zarathustra, 1883-84; Beyond Good and Evil, 1886; On the Genealogy of Morals, 1887, 2d ed., 1887; The Wagner Affair, 1888, 2d ed., 1892; Götzendämmerung, or How to Philosophize with the Hammer, 1889.]
[Footnote 4: Cf. H. Kaatz, Die Weltanschauung Fr. Nietzsches, I. Kultur und Moral, 1892.]
CHAPTER XV.
PHILOSOPHY OUT OF GERMANY.
%1. Italy.%
The Cartesian philosophy, which had been widely accepted in Italy, and had still been advocated, in the sense of Malebranche, by Sigismond Gerdil (1718-1802), was opposed as an unhistorical view of the world by Giambattista Vico,[1] the bold and profound creator of the philosophy of history (1668-1744; from 1697 professor of rhetoric in the University of Naples). Vico's leading ideas are as follows: Man makes himself the criterion of the universe, judges that which is unknown and remote by the known and present. The free will of the individual rests on the judgments, manners, and habits of the people, which have arisen without reflection from a universal human instinct. Uniform ideas among nations unacquainted with one another are motived in a common truth. History is the development of human nature; in it neither chance nor fate rules, but the legislative power of providence, in virtue of which men through their own freedom progressively realize the idea of human nature. The universal course of civilization is that culture transfers its abode from the forests and huts into villages, cities, and, finally, into academies; the nature of the nations is at first rude, then stern, gradually it becomes mild, nay, effeminate, and finally wanton; at first men feel only that which is necessary, later they regard the useful, the convenient, the agreeable and attractive, until the luxury sprung from the sense for the beautiful degenerates into a foolish misuse of things. Vico divides antiquity into three periods: the divine (theocracy), the heroic (aristocracy), and the human (democracy and monarchy). The same course of things repeats itself in the nations of later times: to the patriarchal dominion of the fanciful, myth-making Orient correspond the spiritual states of the migrations; to the old Greek aristocracy, the chivalry and robbery of the period of the Crusades; to the republicanism and the monarchy of later antiquity, the modern period, which gives even the citizens and peasants a share in the universal equality. If European culture had not been transplanted to America, the same three-act drama of human development would there be playing. Vico carries this threefold division into his consideration of manners, laws, languages, character, etc.