If there his darling Rose is not?”
Lord Byron has alluded to this pretty conceit in the ‘Giaour,’ when he sings—
“The Rose o’er crag or vale,
Sultana of the Nightingale,
The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover’s tale,
His queen, the garden queen, his Rose,
Unbent by winds, unchill’d by snows.”
From the verses of the poet Jami may be learnt how the first Rose appeared in Gulistan at the time when the flowers, dissatisfied with the reign of the torpid Lotus, who would slumber at night, demanded a new sovereign from Allah. At first the Rose queen was snowy white, and guarded by a protecting circlet of Thorns; but the amorous Nightingale fell into such a transport of love over her charms, and so recklessly pressed his ravished heart against the cruel Thorns, that his blood trickling into the lovely blossom’s bosom, dyed it crimson; and, in corroboration of this, the poet demands, “Are not the petals white at the extremity where the poor little bird’s blood could not reach?” Perhaps this Eastern poetic legend may have given rise to the belief, which has long been entertained, that the Nightingale usually sleeps on, or with its bosom against, a Thorn, under the impression that in such a painful situation it must remain awake. Young, in his ‘Night Thoughts,’ thus refers to this curious idea—