ORPINE.—On Midsummer Eve, Orpine (Sedum Telephium), Fennel, Lilies, and Hypericum used formerly to be hung over doors and windows. The plant is commonly called ‘Midsummer Men’ and ‘Livelong,’ from a custom of country lasses to try their lovers’ fidelity with it on Midsummer Eve: this they do by setting up two plants of Orpine—one representing themselves, and another their lovers—upon a slate or trencher, and afterwards judging of the state of their lover’s affections by his plant living and turning to their own, or not. Wives, also, place over their heads the Orpine-plant, and by the bending of the leaves to the right or to the left divine whether husbands are true or false. (See [Livelong].)
OSMUND ROYAL.—The stately flowering Fern Osmunda Regalis is said to derive its name from the following legend:—A waterman, named Osmund, once dwelt on the banks of Loch Fyne, with his wife and daughter. One day a band of fugitives, bursting into his cottage, warned Osmund that the cruel Danes were fast approaching the ferry. Osmund heard them with fear; he trembled for those he held dearer than life. Suddenly the shouts of furious men roused him to action. Snatching up his oars, he rowed his trembling wife and child to a small island covered with this beautiful Fern; and helping them to land, he bade them lie down beneath the shady foliage for protection. Scarcely had the ferryman returned to his cottage, ere a company of fierce Danes rushed in, but knowing that he could be of service to them, they did him no harm. During the day and night, Osmund was occupied in ferrying the troops across the lake. When the last company had landed, Osmund kneeled beside the bank, and returned thanks to Heaven for the preservation of his wife and child. Often in after years did he speak of that day’s peril; and his daughter called the Fern by her father’s name. Gerarde, in describing the stem of the Osmunda, which, on being cut, exhibits a white centre, calls this portion of the Fern the “heart of Osmund, the waterman,” probably in allusion to the above tradition.
Our Lady’s Plants.—See [Lady’s Plants].
Ox-Eye.—See [Moon Daisy].
PALASA.—Palasa is a Sanscrit word, meaning “leaf,” but in course of time it became applied to the Butea frondosa as well as the name Parna, which also signifies a leaf. The modern Indian name of the tree is Dhak. The Palasa is in India a sacred tree, and has a special cultus; as such, it is held to be imbued with the immortalising Soma, the beverage of the gods. According to the Vedas, it owed its origin to a feather dropped by a falcon who, when the gods were pining for the precious Soma fluid, succeeded in stealing some from the demons who had charge of it. In flying off with its prize, the falcon was wounded by an arrow shot by one of the demons, which wounded it and caused a feather impregnated with the divine fluid to fall to earth, where it took root and became a Palasa-tree (called also Parna), which has a red sap and scarlet blossoms—emblems of the sacred fire. The falcon was a transformed god—some say Indra—hence the tree which sprang from the god-bird’s feather was in its nature divine.——The Palasa was much employed by the Hindus in religious ceremonies, particularly in one connected with the blessing of calves to ensure them proving good milkers. To this end, at the time of the sacrifice offered in the new moon (the season of increase), the priest, on behalf of the Hindu farmer, selected a Palasa-branch that grew on the north-east, north, or east side of the tree, and cut it off, saying, “For strength cut I thee.” Then, having stripped off the leaves, he struck both calves and dams with it, blessing the latter and bidding them be good milkers and breeders, and profitable animals to their masters. This done, he stuck up the Palasa rod eastward of the holy fire, and bade it protect the cattle. The object in thus touching the cattle was that the divine Soma contained in the rod might pass into and enrich the udders of the beasts. The Palasa is triple-leaved, and hence was deemed to typify, like the trident, the forked lightning, an appropriate attribute, inasmuch as it originally sprang from a god of the lightning. In this respect, it resembled the rod of Mercury (a fire-god), the Sami, and the Rowan rod.——The staff of the Brahman ought to be made of Palasa wood. (See [Dhak].)
PALM.—The Palm-tree is symbolic of victory, of riches, and of generation. It was considered by the ancients also an emblem of light, and was held sacred to Apollo. The Palm of Delos was supposed to have existed from the time of the god Apollo himself. Among the Greeks, there existed a legend that the Palm, like the Olive, was brought into Greece by Hercules, on his return from the infernal regions. The Orphics venerated the Palm as an immortal tree, which never grew old; hence, as a symbol of immortality, and especially of the immortality of glory, it was associated with the goddess Victoria, called also Dea Palmaris.——In India, as amongst the Arabs, the Palm is considered a sacred tree.——According to an Indian legend, the Palm of the Lake of Taroba, in Central India, was only visible during the day; in the evening it re-entered the earth. It is related that a rash pilgrim climbed one morning to the top of the Palm, but the tree grew to such a height above the earth’s surface, that the pilgrim was scorched to death by the sun’s rays, and the Palm itself was reduced to tinder. On the spot where the miraculous Palm is said to have once grown stands the idol of the Geni of the Lake, called Taroba.——Christian legend has associated the Palm with the history of Jesus. According to the Apocryphal Gospel, the Virgin Mary, whilst journeying, became fatigued and oppressed with the great heat; in passing by a great desert, she saw a large and beautiful Palm-tree, beneath which she wished to seek rest and shelter; so she asked Joseph to drive the ass upon which she was seated towards the tree. When she reached the foot of the tree, she dismounted, and, looking up, noticed that the tree was laden with fruit. Then she said to Joseph: “I wish to have some of the fruit of this tree, for I am hungry.” To this, Joseph replied: “Mary, I marvel that you should desire to eat of this fruit.” Then Jesus Christ, who was seated in his mother’s lap, ordered the Palm to bend down, so that his mother might partake of its fruit at pleasure. And forthwith the tree bent down to the Virgin Mary, and she partook of its fruit, and still the Palm remained bent downwards. Then, Jesus perceiving this, ordered the Palm to resume its natural position, and it immediately did so. This legend has been widely diffused in Italy and elsewhere, sometimes with the following addendum: “Jesus, after this act of devotion on the part of the Palm, gave the tree his benediction, chose it as the symbol of eternal salvation for the dying, and declared that he would make his triumphant entry into Jerusalem with a Palm in his hand.”——The Palm was early assumed by the Christian Church as the universal symbol of martyrdom, in accordance with Revelation vii., 9: “And after this I beheld, and lo, a great multitude stood before the throne, clothed with white robes, and with Palms in their hands.... And he said to me, These are they which came out of great tribulation.” Hence, in early Italian paintings of the saints, as well as on the sculptured effigies of Christian heroes, the Palm is represented as borne by those who suffered martyrdom; and, in some instances, by those conspicuous for their victory over pain and temptation.——In old religious paintings, St. Christopher (who lived in the middle of the fourth century) is represented as a man of Herculean proportions, who uses, as a supporting staff, an entire Palm-tree with leaves and branches. The legend is, that having, when still unconverted, entreated a hermit to show him Christ, the holy man admonished him that he must do some good and acceptable work, and recommended him to go to the banks of a deep and swollen river, and by his great strength assist travellers to cross over it. Christopher readily undertook the task, and went and dwelt by the side of the river. Having rooted up a Palm-tree, he used it as a staff to guide and support his steps, and aided all who were overcome by the stream, and carried the weak on his shoulders across it. After he had spent many days at this toil, he, one night, whilst lying resting in his hut, heard a voice calling him from the shore. He arose and looked out, but saw nothing. So he lay down again, and the same thing occurred to him a second and third time. Then he took his lantern and searched about the river bank, and at last discovered a little child, who plaintively said to him: “Christopher, carry me over this night.” Thereupon the stalwart young man lifted the little child on his shoulders, and grasping his Palm-staff, entered the stream. As he struggled across, the waters kept rising higher and higher; the waves roared, and beat against him, and the winds blew. The infant on his shoulder became heavier and still heavier, till Christopher felt that he must sink under the excessive weight, and began to feel afraid: nevertheless, taking fresh courage, and staying his tottering steps with his Palm-staff, he at length reached the opposite bank. Gently placing the child down, he looked at him with astonishment, and asked, “Who art thou, child, that hast placed me in such extreme peril? Had I carried the whole world on my shoulders, the burthen had not been heavier.” Then the child replied: “Wonder not, Christopher, for thou hast not only borne the world, but Him who made the world, upon thy shoulders. Me wouldst thou serve in this thy work of charity; and, behold, I have accepted thy service; and in testimony that I have accepted thy service and thee, plant thy staff in the ground, and it shall put forth leaves and fruit.” Christopher did so, and the dry Palm-staff flourished as a Palm-tree in the season, and was covered with clusters of Dates. But the miraculous child had vanished. Then Christopher fell on his face, and confessed and worshipped Christ.——According to the legend of the death of the Virgin Mary, she was, one day, filled with an inexpressible longing to behold her Son again, and whilst weeping, an angel suddenly appeared, and said: “Hail, O Mary! I bring thee here a branch of Palm, gathered in Paradise; command that it be carried before thy bier in the day of thy death; for in three days thy soul shall leave thy body, and thou shalt enter into Paradise, where thy Son awaits thy coming.” After conversing with the Holy Mother, the angel departed into heaven, and the Palm-branch which he had left behind him shed light from every leaf, and sparkled as the stars of the morning. At the same instant, the apostles, who were dispersed in various parts of the world, were miraculously caught up and deposited at Mary’s door. Then, having thanked the Lord, she placed in the hands of St. John the shining Palm, and desired him to bear it before her at the time of the burial—an office which he faithfully discharged.——Some authorities mention the Palm as one of the four trees which furnished the wood of which the Redeemer’s Cross was composed; this notion is derived from Canticles vii., 8: “I will go up to the Palm-tree,” &c. Hence the old rhyme:—
“Nailed were His feet to Cedar, to Palm His hands—
Cypress His body bore, title on Olive stands.”
The praises of the Palm have been sung by Hebrew, Indian, Persian, and Arabian poets of all ages. According to Strabo, a Persian hymn, but according to Plutarch a Babylonian hymn, records the three hundred and sixty benefits conferred on mankind by this noble tree; whilst a poem in the Tamil language, although enumerating eight hundred and one uses of the Palmyra Palm, does not exhaust the catalogue.——In the Indian Vishnu Purâna, the fruitfulness of the Date Palm is alluded to. The youthful Bala Râma slays the monster Dhenuka, and casts the carcase at the foot of a Date Palm: then the Dates fell upon him just as rain, beaten by the winds, patters down on the earth.——In India, the Palm has given rise to a proverb on account of the facility with which it takes root: the natives say of a vile and despised enemy, that he takes root as a Palm.——To dream of a Palm-tree is a very good omen, particularly if it is in full blossom, in which case it predicts much success and good fortune.
PANSY.—The Pansy (Viola tricolor) derives its name from a corruption of the French word pensées, thoughts: thus poor Ophelia says:—