SUNFLOWER.—The Helianthus annuus derived its name of Sunflower from its resemblance to the radiant beams of the Sun, and not, as is popularly supposed and celebrated by poets, from its flowers turning to face the Sun—a delusion fostered by Darwin, Moore, and Thompson, the latter of whom tells us that unlike most of the flowery race—
“The lofty follower of the Sun,
Sad when he sets, shuts up her yellow leaves,
Drooping all night, and, when he warm returns,
Points her enamour’d bosom to his ray.”
The Helianthus has also been falsely identified with the Sunflower of classical story—the flower into which poor Clytie was transformed when, heart-broken at the desertion of her lover Phœbus, she remained rooted to the ground, and became, according to Ovid, metamorphosed into a flower resembling a Violet. “Held firmly by the root, she still turns to the Sun she loves, and, changed herself, she keeps her love unchanged.” Now the Helianthus, or modern Sunflower, could not have been the blossom mentioned by Ovid, inasmuch as it is not a European plant, was not known in his day, and first came to us from North America. In its native country of Peru, the Helianthus is said to have been much reverenced on account of the resemblance borne by its radiant blossoms to the Sun, which luminary was worshipped by the Peruvians. In their Temple of the Sun, the officiating priestesses were crowned with Sunflowers of pure gold, and they wore them in their bosoms, and carried them in their hands. The early Spanish invaders of Peru found in these temples of the Sun numerous representations of the Sunflower in virgin gold, the workmanship of which was so exquisite, that it far out-valued the precious metal of which they were formed. Gerarde, writing in 1597, remarks:—“The floure of the Sun is called in Latine Flos Solis; for that some have reported it to turn with the Sunne, which I could never observe, although I have endeavoured to finde out the truth of it: but I rather thinke it was so called because it resembles the radiant beams of the Sunne, whereupon some have called Corona Solis and Sol Indianus, the Indian Sunne-floure: others Chrysanthemum Peruvianum, or the Golden Flower of Peru: in English, the Floure of the Sun, or the Sun-floure.” (See [Heliotrope].)
SYCAMORE.—Sycamore is properly the name of an Egyptian tree, the leaves of which resemble those of the Mulberry and the fruit that of the wild Fig; whence it was named from both Sukomoros; sukon signifying a Fig, and moros a Mulberry-tree.——Thevenot gives an interesting tradition relating to one of these trees. He writes:—“At Matharee is a large Sycamore, or Pharaoh’s Fig, very old, but which bears fruit every year. They say, that upon the Virgin passing that way with her son Jesus, and being pursued by the people, this Fig-tree opened to receive her, and closed her in, until the people had passed by, when it re-opened; and that it remained open ever after to the year 1656, when the part of the trunk that had separated itself was broken away.” The tree is still shown to travellers a few miles north-east of Cairo.——Another version relates that the Holy Family, at the conclusion of their flight into Egypt, finally rested in the village of Matarea, beyond the city of Hermopolis, and took up their residence in a grove of Sycamores, a circumstance which gave the Sycamore-tree a certain degree of interest in early Christian times. The Crusaders imported it into Europe, and Mary Stuart, probably on account of its sacred associations, brought from France and planted in her garden the first Sycamores which grew in Scotland.——From the wood of this Egyptian Fig-tree or Sycamore (Ficus Sycomorus), which is very indestructible, the coffins of the Egyptian mummies were made.——By a mistake of Ruellius the name Sycamore became transferred to the Great Maple (Acer pseudoplatanus), which is the tree commonly known in England as the Sycamore or Mock-Plane. This mistake, Dr. Prior considers, may perhaps have arisen from the Great Maple having been, on account of the density of its foliage, used in the sacred dramas of the Middle Ages to represent the Fig-tree into which Zaccheus climbed on the day of our Saviour’s triumphal entry into Jerusalem—the Ficus Sycomorus mentioned above.
“Here a sure shade
Of barren Sycamores, which the all-seeing sun
Could not pierce through.”