A stichomuthic contest ensues; the Furies reproach Apollo with taking the part of a matricide. He urges she had first slain her husband—they retort that husband is not kin, to which Apollo pleads the sanctity of the marriage tie; this authorized by the great example of Zeus and Hera, with its special patroness Cypris, this "assigned by Fate and guided by the Right is more than any oath." Neither party will give way; Apollo appeals to Pallas as Umpire, the Furies declare they will never desist from the pursuit. {225}

CHANGE OF SCENE

By the turning of the periacti and other mechanical changes the scene is shifted to the familiar Acropolis of Athens itself, the open Central Doors being arranged to represent the Porch of the Temple of 'Athene, Guardian of the City.' Enter by Distance side-door Orestes, who advances to the Centre and clasps the Statue of Pallas. {226}

Orestes has come as suppliant, but no longer with the stain of blood on his hands; that during his long wanderings has been by due rites washed away.

Suddenly by the same door the Furies enter upon the Stage, their faces to the ground and tracking Orestes' steps. {235}

Chorus of Furies: they have been long off the track, at last the 'dumb informer' is clear again, already they catch the loved scent of blood.—There he is clasping in confidence the statue of the Goddess, but watch, he escapes not: no trial, as he hopes, for the matricide; his own blood they must suck from his living members, and when they have had their fill of this drink undrinkable they will drag him down alive to bear the fate of a matricide. Orestes not yet perceiving them continues his prayer: long experience has taught him the various cleansing rites, and they have all been paid; he has dwelt amongst men and no impurity has been brought on them; this and all-cleansing Time show that the stain of matricide is removed, and with pure hands he can clasp Athene, queen of this land, and pledge the Argive alliance for her City [one of the political hits of the piece] if she will befriend him. The Furies suddenly spring up: Not Apollo nor Athene can save thee from thy doom! Orestes clings convulsively to the Statue. Thou resistest? then feel our spell! {296}

Chanting in marching rhythm they rapidly descend the Orchestra staircase, form about the Altar and then proceed to

CHORAL SPELL (FOR ENTRY ODE)

in four Strophes and Antistrophes.

Strophe I