The second is the scene upon which the dramatist mainly relies for the crescendo in the justification of the conspirators. It is a long scene, elaborately contrived so as to keep the conspirators and their cause before us at their very best, and the victim at his very worst. i. ii.Cassius is the life and spirit of this scene, as he is of the whole republican movement. Cassius is excellent soil for republican principles. The 'rash humour' his mother gave him would predispose him to impatience of those social inequalities and conventional distinctions against which republicanism sets itself. Again he is a hard-thinking man, to whom the perfect realisation of an ideal theory would be as palpable an aim as the more practical purposes of other men. He is a Roman moreover, at once proud of his nation as the greatest in the world, and aware that this national greatness had been through all history bound up with the maintenance of a republican constitution. His republicanism gives to Cassius the dignity that is always given to a character by a grand passion, whether for a cause, a woman, or an idea—the unification of a whole life in a single aim, by which the separate strings of a man's nature are, as it were, tuned into harmony. In the present scene Cassius is expounding the cause which is his life-object. Nor is this all. Cassius was politician enough to adapt himself to his hearers, and could hold up the lower motives to those who would be influenced by them; but in the present case it is the 'honourable metal' of a Brutus that he has to work upon, and his exposition of republicanism must be adapted to the highest possible standard. Accordingly, in the language of the scene we find the idea of human equality expressed in its most ideal form. Without it Cassius thinks life not worth living.
i. ii. 95.
I had as lief not be as live to be
In awe of such a thing as I myself.
I was born free as Cæsar; so were you;
We both have fed as well, and we can both
Endure the winter's cold as well as he.
The examples follow of the flood and fever incidents, which show how the majesty of Cæsar vanished before the violence of natural forces and the prostration of disease.
115.
And this man