Shakespeare as a Dramatic Artist / A Popular Illustration of the Principles of Scientific Criticism - Richard G. Moulton - Page №195

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^*_*^* Clarendon type is used where the passage referred to approaches the character of an analysis of the scene.

JULIUS CÆSAR.

Act I.

Sc. i. [180], [188]-[9].
ii. [172], [178]-[80], [180], [189]-[91].
iii. [191]-[4], [195]-[6].

Act II.

Sc. i. [171]-[2], [172], [174], [175]-[6], [176], [180]-[1], [187], [191], [194].
ii. [177], [194]-[5].
iii. [196].
iv. [196]-[7]

Act III.

Sc. i. [172]-[3], [177], [177]-[8], [182], [183], [196]-[9], [285].
ii. [175], [199]-[200].
iii. [180], [200].

Act IV.

Sc. i. [200].
ii. and iii. [172], [173]-[4], [182], [200]-[1].