Is it possible to tell the absolute truth—even for twenty-four hours? It is—at least Bob Bennett, the hero of “Nothing But the Truth,” accomplished the feat. The bet he made with his business partners, and the trouble he got into—with his partners, his friends, and his fiancée—this is the subject of William Collier’s tremendous comedy hit. “Nothing But the Truth” can be whole-heartedly recommended as one of the most sprightly, amusing and popular comedies that this country can boast.
Price, 60 Cents.
IN WALKED JIMMY.
A comedy in 4 acts, by Minnie Z. Jaffa. 10 males, 2 females (although any number of males and females may be used as clerks, etc.). Two interior scenes. Costumes, modern. Plays 2 and ½ hours. The thing into which Jimmy walked was a broken-down shoe factory, when the clerks had all been fired, and when the proprietor was in serious contemplation of suicide.
Jimmy, nothing else but plain Jimmy, would have been a mysterious figure had it not been for his matter-of-fact manner, his smile and his everlasting humanness. He put the shoe business on its feet, won the heart of the girl clerk, saved her erring brother from jail, escaped that place as a permanent boarding house himself, and foiled the villain.
Clean, wholesome comedy with just a touch of human nature, just a dash of excitement and more than a little bit of true philosophy make “In Walked Jimmy” one of the most delightful of plays. Jimmy is full of the religion of life, the religion of happiness and the religion of helpfulness, and he so permeates the atmosphere with his “religion” that everyone is happy. The spirit of optimism, good cheer, and hearty laughter dominates the play. There is not a dull moment in any of the four acts. We strongly recommend it.
Price, 60 Cents.
MARTHA BY-THE-DAY.
An optimistic comedy in three acts, by Julie M. Lippmann, author of the “Martha” stories. 5 males, 5 females. Three interior scenes. Costumes modern. Plays 2 and ½ hours.
It is altogether a gentle thing, this play. It is full of quaint humor, old-fashioned, homely sentiment, the kind that people who see the play will recall and chuckle over to-morrow and the next day.